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House of L podcast

Les Grobstein: 1952-2022

House of L podcast

Laurence W. Holmes

Sports, History

4.91.4K Ratings

🗓️ 17 January 2022

⏱️ 29 minutes

🧾️ Download transcript

Summary

Laurence reflects on working for and with legendary Chicago broadcaster, Les Grobstein, who passed away on 1//16.



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Transcript

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0:00.0

Welcome into the House of L podcast. I'm Lauren Tombs. Thanks for hanging out here with me.

0:05.2

I'm on the road right now. I went on a little mini vacation. So I'm out of town and I was out of

0:13.5

town when I got the news this morning about less. And of course, like it made me tremendously sad.

0:21.0

I wanted to try though. I want to try and talk about like what less meant to me and also try to

0:28.4

talk about the fun of less grab steam. In this episode, he's become it's so interesting to me

0:38.7

because I think there were a lot of people who always like less. Even when I started working at

0:45.6

the score and I'll get to that in a little bit, but he's become like a cult hero in circles.

0:52.5

And I know John Greenberg has done a lot writing stories about less and his idiosyncratic nature

1:01.2

all of the things that made less less. I started out at the score in 1998

1:10.2

and my first full-time job was being the overnight producer. Like when I started,

1:15.6

there was a lot of us. It was me, it was Zampillo, Speaks. Speaks had been there a couple of years,

1:22.8

Matt Fishman. There was a bunch of us there when I started. A lot of them who've gone on to work

1:30.2

in the industry, but you kind of had to build like stair step your way up as a producer. Usually,

1:39.5

you were a tape person first, and then you got the opportunity to work on weekend shows. That

1:47.4

was part of it. Then you would fill in. If this producer had some time off or if someone got sick,

1:54.6

they'd ask you, can you come and run the heavy fuel cruise shows, stuff like that? And if a full-time

1:59.9

position came available, it was like a fight at the bat rack and getting an opportunity to get

2:06.0

benefits and a salary and all of those things. So I got the opportunity to produce

2:16.7

lesses show overnight. And back then, man, we're truly overnight. If I have this right, it was

2:26.3

Tommy Williams 9P to 1A because we were on 1160 at that point and we had just started to move into

2:37.3

24-hour programming. And so I got to produce less 1am to 5.30am before the bull in the bear would come

2:47.1

into the studio. And I always loved it. You know, Doug would come in at like 315 and you'd always

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