4.6 • 806 Ratings
🗓️ 11 January 2018
⏱️ 36 minutes
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0:00.0 | Hello, and welcome back to the Directors' Cut, brought to you by the Directors Guild of America, |
0:06.2 | where each episode we bring you a fresh and insightful interview featuring one of the film industry's top directors, |
0:12.0 | conducted by one of their peers. |
0:14.4 | Remember to subscribe to our podcast on iTunes or wherever you get your podcasts. |
0:19.2 | And if you're enjoying the Directors' Cut, please take a moment to rate and review us on iTunes or like us get your podcasts. And if you're enjoying the director's cut, |
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0:25.4 | We love hearing your feedback. |
0:35.7 | This episode takes us behind the scenes of director Rob Reiner's new biopic, LBJ, which charts |
0:41.9 | the life of Lyndon B. Johnson from his young days in West Texas to becoming Senator |
0:46.0 | John F. Kennedy's running mate after losing the 1960 Democratic presidential nomination. |
0:52.3 | Sidelined after the election, the once powerful Senate Majority Leader finds himself and the world |
0:57.0 | changed after Kennedy is assassinated and he is thrust into the presidency. |
1:01.0 | In addition to LBJ, Mr. Reiner's credits include the feature films This Is Spinal Tap, |
1:07.0 | The Princess Bride, Misery, and Ghosts of Mississippi, and the Movies for Television's Sunny Boy, |
1:13.6 | Likely Stories Volume 1, and Everyday Life. |
1:16.6 | He is a three-time nominee for the DGA Award |
1:19.6 | for Outstanding Directorial Achievement in Feature Film for Stand By Me, |
1:23.6 | When Harry Met Sally, and a Few Good Men. |
1:26.6 | Following a recent screening of the film at the DGA Theatre in Los Angeles, when Harry met Sally and a few good men. |
1:31.3 | Following a recent screening of the film at the DGA theater in Los Angeles, |
1:35.9 | Mr. Reiner spoke with DGA President Thomas Shlami about filming LBJ. |
1:41.3 | During their conversation, Mr. Reiner discusses how making the film made him re-evaluate LBJ as a political figure, why he describes the editing room as the |
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