meta_pixel
Tapesearch Logo
Log in
Hidden Killers With Tony Brueski | True Crime News & Commentary

Last Take: The Tragic Story of Halyna Hutchins and the Rust Shooting

Hidden Killers With Tony Brueski | True Crime News & Commentary

True Crime Today

True Crime, News, News Commentary

3 • 791 Ratings

🗓️ 13 March 2025

⏱️ 17 minutes

🧾️ Download transcript

Summary

A tragic accident on the set of "Rust" took Halyna Hutchins' life, and the new Hulu documentary "Last Take: Rust and the Story of Halyna" examines the failures that led to that moment. Directed by her friend Rachel Mason, the film attempts to honor Hutchins while also dissecting the catastrophic failures that led to her death.

Halyna Hutchins was more than just a talented cinematographer. She was a mother, a wife, and an artist dedicated to her craft. And she loved working on "Rust." That’s a painful truth that echoes throughout the documentary, revealed through her personal notes, messages, and behind-the-scenes footage. This wasn't just another job for her. She was fully invested. Then, in a single moment, everything changed.

October 21, 2021. A routine rehearsal inside a small wooden church on the set of "Rust" in Santa Fe, New Mexico. Alec Baldwin, both the film’s star and one of its producers, was handed a Colt .45 revolver. It was supposed to be a "cold gun"—an industry term for a firearm containing no live rounds. But when Baldwin pointed it toward the camera during the scene and pulled the trigger, a live bullet was discharged. The shot struck Halyna Hutchins in the chest and injured director Joel Souza, who was standing behind her. She was rushed to the hospital but didn’t survive.

The immediate aftermath was chaos. Authorities swarmed the set. Baldwin, visibly distraught, was questioned by investigators, struggling to comprehend how this could have happened. The film crew had already been in turmoil—complaints about unsafe working conditions, crew members walking off set in protest just days before. The warning signs were there, but no one stopped production.

The documentary includes footage of Baldwin being informed that Hutchins had died. His reaction—shock, disbelief, horror—mirrors what most people felt when they first heard the news. A movie set, a place where safety should be an absolute priority, had turned into a crime scene.

As the investigation unfolded, it became clear that corners had been cut. The film's armorer, Hannah Gutierrez Reed, was responsible for handling weapons on set, but she was young and relatively inexperienced. Reports surfaced that crew members had been using the prop guns for live target practice—a staggering breach of safety protocols. The question became: who was ultimately responsible? Baldwin, as an actor, claimed he was simply following directions. As a producer, could he have done more to ensure a safer set? And then there’s Gutierrez Reed—should she have caught the live round before it ever made its way onto set? What about assistant director Dave Halls, who reportedly handed Baldwin the gun and declared it "cold"?

The documentary doesn’t shy away from these tough questions, but its focus isn’t just the legal blame game. It’s about the systemic failures that made this possible in the first place. Hutchins' widower, Matt Hutchins, served as an executive producer on the film, ensuring that her story remained at the center of it all. He initially pursued a wrongful death lawsuit against Baldwin and the "Rust" production team, which was eventually settled. But legal battles continue—Gutierrez Reed faces charges of involuntary manslaughter, and Baldwin himself was charged, then had those charges dropped, only for them to be reconsidered later.

The bigger issue? This wasn’t the first time safety has been compromised on a movie set, and unless serious changes happen, it won’t be the last. The film industry has long relied on outdated practices, assuming accidents are rare enough to justify pushing boundaries. But the truth is, workplace safety shouldn’t be an afterthought, whether it's in a factory, a construction site, or a Hollywood set. And when people raise red flags—like crew members did on "Rust"—they need to be taken seriously before tragedy strikes.

During a panel discussion about "Last Take," director Joel Souza, who was also injured in the shooting, admitted that he wished the documentary focused more on Halyna’s life rather than just the circumstances of her death. And he’s not wrong. The documentary was originally intended to be a tribute, but as Mason put it, the commercial value of the "Rust" tragedy became an undeniable part of the story. That’s the harsh reality of true crime and high-profile incidents—what starts as a personal loss often turns into a public spectacle.

Baldwin, meanwhile, has returned to work and even launched a reality show with his family, a move that has drawn criticism. His involvement in "Rust" continues, as the film has resumed production, now with Hutchins' widower as an executive producer. That decision alone raises ethical questions—how do you finish a movie tied to such a devastating loss? And is there a right way to do it?

Mason hopes the documentary serves a greater purpose beyond recounting the tragedy. She wants it to spark conversations about on-set safety, not just in Hollywood, but in workplaces everywhere. Because at the end of the day, this wasn’t just an accident. It was a preventable failure at every level. And Halyna Hutchins should still be here.

#RustTragedy #HalynaHutchins #AlecBaldwin #OnSetSafety

Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj
Follow Our Other Cases: https://www.truecrimetodaypod.com
The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK’s Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Transcript

Click on a timestamp to play from that location

0:00.0

This is Murder in the Morning with Tony Bruske and Stacey Cole.

0:06.1

This is one of those stories that doesn't seem real at first.

0:11.3

We've, of course, covered it in the past.

0:13.8

Movie set, big name actor, a fake gun that wasn't so fake after all.

0:18.8

And in the middle of it, Helena Hutchins, talented cinematographer,

0:22.9

mother, a wife, someone who was just wanting to do her job. And in an instant, everything

0:29.3

went horribly wrong. There is a new Hulu documentary coming out. Last Take, Rust, and the story

0:37.3

of Helena isn't just about what happened on the set

0:40.8

in Santa Fe, New Mexico on October 21st to 21. It's about why it happened. And it turns out that's a

0:49.8

much bigger, messier question than most people actually realize. Let's take a look at the trailer

0:57.2

for this film and get a better idea on what we're looking at here as it gets close.

1:04.7

Helena was going to shoot a film called Rust. She went out and never came back.

1:13.6

We got two people track on a movie set accidentally.

1:16.6

The actor on said, Alec Baldwin.

1:18.6

You were in the room when the lady went.

1:20.6

I was caught through the gun, yeah. A bullet went through her and then from her into me.

1:37.3

No accident just happens out of the blue.

1:40.3

Every accident is preceded by a series of failures. We don't have enough time and we don't have enough money.

1:46.3

You're always working against the chaos.

1:48.8

You very quickly felt like somebody was going to get hurt if something didn't change.

1:56.0

There's so much footage that she made that's so beautiful, she put her soul into it.

2:01.6

We were setting up for a shot.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from True Crime Today, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of True Crime Today and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.