4.6 • 1.1K Ratings
🗓️ 17 March 2023
⏱️ 60 minutes
🧾️ Download transcript
We meet Arthur Lambert from the Estate of artist LARRY STANTON (1947-1984).
Larry Stanton was a Manhattan-based portrait artist whose work was championed by David Hockney, Henry Geldzahler, Ellsworth Kelly and others. He was a gay man who lived in Greenwich Village in New York City. Stanton produced a significant body of work—mostly drawings and paintings—in the four years leading up to his death from AIDS-related complications. Stanton drew portraits of the young men he slept with, as well as his friends and family. Many of Stanton’s subjects were other gay men who died in the 80s from AIDS, and his brightly colored faces sketched quickly in crayon and colored pencil stand as an archive of lives lost. Lambert inherited all of Stanton’s work after he died.
We discuss the new book, edited by Italian theatre director Fabio Cherstich and Stanton's lover Arthur Lambert titled Larry Stanton: Think of Me When It Thunders. A tribute to yet another artist that died before they could leave their mark and is the definitive publication on Stanton’s art and life to date. It includes 139 artworks, many of them portraits of the boys he met on nightly outings, as well as friends and family and a large collection of self- portraits, plus previously unpublished archive imagery of Stanton’s circle. With texts by Cherstich, Lambert, Hockney, Geldzahler, and more, it’s part artbook, part personal history, a round-up of the faces and names that formed Stanton’s world.
Since meeting Cherstich, the two have founded the Estate of Larry Stanton to bring renewed attention to Stanton’s art. A collection was recently on display at Daniel Cooney Gallery, while Acne Studios has presented an exhibition of works and objects featuring Stanton’s drawings in Milan, Seoul, Tokyo and New York in Feb 2023.
‘The portraitist is an observer of people; his attitudes and feelings will be reflected in his observations, and usually the interest in personality makes one study faces. Other aspects of personality show in the body—posture, ways of moving, etc.—but most is revealed in the face. People make their own faces, and Larry knew this instinctively’.
—David Hockney
'Larry Stanton lived and painted in Manhattan until he died of AIDS at the age of 37. In Greenwich Village, he was a familiar sight, starting his practice every day in the early afternoon, drinking coffee at the same spot while balancing his sketchbook and drawing someone who caught his eye. His studio developed into a gathering place for artists and writers and they became subjects for his portraits.
In the late '70s and early '80s, NYC was a magnet for boys who were escaping from homes and places where being gay was not accepted. Many of these boys became models for Larry. His work provides a telling picture of faces from a segment of NYC life which shortly disappeared with the advent of AIDS, an epidemic that annihilated so many of these faces, including Larry's own.' Text by Visual AIDS.
Follow @Larry_Stanton_Art, @DanielCooneyFineArt and @ApalazzoGallery
View the Acne Studios recent collaboration: https://www.acnestudios.com/eu/en/man/larry-stanton/
Hosted on Acast. See acast.com/privacy for more information.
Click on a timestamp to play from that location
| 0:00.0 | Good afternoon, good morning, good evening. Wherever you are in the world, I am Russell Tovy. |
| 0:09.0 | And I'm Robert Dyer-Ment. And this is Talkart. |
| 0:11.2 | Welcome to Talkart. How are you today, Rob? |
| 0:14.3 | Today, Russell, I am feeling like I'm standing on the shoulder of giants. |
| 0:20.6 | And I mean that in the sense that today's episode feels very historical. |
| 0:25.8 | And we are thinking about an artist who are going to be exploring his life and work. |
| 0:31.3 | And he passed away many years ago. And he is someone that I sort of feel like is a forefather |
| 0:39.1 | to everything that you and I have gone on to be both within our personal lives, but also within |
| 0:44.8 | our passion for art. And the artist we're going to be talking about is called Larry Stanton. |
| 0:49.2 | And he was born in 1947 and then passed away in 1984. And that was when you and I would just |
| 0:55.4 | like three years old or something or two years old. We were really, really young. |
| 0:59.2 | And he was based in Manhattan and New York. And there's also a lot of parallels with |
| 1:04.0 | all the research that you've been doing for your recent acting roles, particularly in American |
| 1:07.6 | Horror Story. Because I know that you've been looking a lot at the kind of 80s and 70s and 60s |
| 1:13.2 | within New York. And particularly the kind of artistic scene that happened at that time. |
| 1:18.4 | And we will explore some amazing stories. But the person that we are meeting today |
| 1:24.0 | was Larry's partner and champion. And it's someone that has in a way for me is so important |
| 1:31.1 | because he has protected and taken care of the guardian for this historical body of work |
| 1:37.4 | that is so extraordinary. It's predominantly portraiture. And of a time where many young men |
| 1:44.2 | died from AIDS and were lost. And there's a whole generation that live on in these artworks. |
| 1:50.0 | And it is such a great, great, great privilege for us to meet today's guest. |
| 1:54.5 | So we would like to welcome to talk art. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Russell Tovey and Robert Diament c/o Independent Talent, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Russell Tovey and Robert Diament c/o Independent Talent and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.