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Folger Shakespeare Library: Shakespeare Unlimited

Lady Romeo

Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library

Arts

4.7837 Ratings

🗓️ 29 September 2020

⏱️ 30 minutes

🧾️ Download transcript

Summary

Charlotte Cushman was one of the most famous American theater artists of the mid-19th century. And while she was known for her Lady Macbeth and Oliver Twist’s Nancy, she was acclaimed for her performances as Romeo and Hamlet. The newest book about Cushman’s life is Tana Wojczuk’s "Lady Romeo: The Radical and Revolutionary Life of Charlotte Cushman, America’s First Celebrity." Cushman’s life was radical indeed. She played Shakespeare’s leading men with an emotionality and vulnerability that took audiences by surprise, started a bohemian artists’ colony in Rome, and lived publicly as a queer woman. We invited Wojczuk to join us on the podcast to chat about Cushman’s life, loves, work, tragedies, swordsmanship, and more. Tana Wojczuk is a senior nonfiction editor at Guernica. She teaches writing at New York University. She has worked as an arts critic for Vice, Bomb Magazine, and Paste and as a columnist for Guernica. Her writing has appeared in The New York Times, Tin House, The Believer, Gulf Coast, Apogee, Lapham’s Quarterly, The Rumpus, Narrative, Opium Magazine, and elsewhere. "Lady Romeo: The Radical and Revolutionary Life of Charlotte Cushman, America's First Celebrity" was published by Avid Reader Press, an imprint of Simon and Schuster, in 2020. Wojczuk's appreciation for The Folger Shakespeare editions, "How Shakespeare Paperbacks Made Me Want to Be A Writer," appeared recently in The New York Times Magazine's Letter of Recommendation column. From the Shakespeare Unlimited podcast. Published September 29, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Do You Not Know I Am a Woman?”, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

Transcript

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0:00.0

In the 16th century, men played women in Shakespeare's plays. In the 19th century, there's a woman who got

0:07.4

famous playing men in Shakespeare. How'd that happen? From the Folger's Shakespeare Library,

0:19.2

this is Shakespeare Unlimited. I'm Michael Whitmore, the Folger Shakespeare Library, this is Shakespeare Unlimited.

0:21.8

I'm Michael Whitmore, the Folgers director.

0:24.7

The woman I was talking about is Charlotte Cushman,

0:28.1

one of the most famous American stage performers in the 1840s and 50s.

0:33.3

She was known for her lady Macbeth and for the role of Nancy in Oliver Twist.

0:38.3

But what she was best known for was her work as a male lead, principally as Romeo and Hamlet.

0:46.3

Charlotte Cushman is one of those lost celebrities of the 19th century who seems to get rediscovered every generation. The latest book about her is by

0:56.2

Tana Wochuk, the senior nonfiction editor at Guernica Magazine who teaches writing at New York

1:03.0

University. The book is called Lady Romeo, and it hits all the high points of Charlotte

1:09.4

Cushman's remarkable career.

1:12.1

In June of 2020, Tana wrote an essay for the New York Times about how the Folger editions

1:17.8

changed her life. It captured what we hear from so many readers of what we now call the

1:23.6

Folger Shakespeare. We hope you'll take a look at it. We got Tana in front of a microphone

1:29.3

at her home in New York to talk about Shakespeare and Charlotte Cushman for a podcast that we call

1:35.3

Do You Not Know I Am a Woman? Tana Wochuk is interviewed by Barbara Bogave. So that we can picture

1:43.1

Cushman, why don't you tell us just what did she look like physically?

1:47.6

She was unusual in the sense that she was very tall.

1:52.9

She was tall as most men.

1:55.6

And her looks were described by people who were critical of her as episcene, which is sort of unsexed

2:05.2

or like neither man or woman. When I look at her, though, I mean, I see these very deep set

...

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