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Rolling Stone Music Now

Kurt Vile: The Rolling Stone Interview

Rolling Stone Music Now

Rolling Stone

Music Commentary, Music, Music Interviews

41K Ratings

🗓️ 21 April 2022

⏱️ 47 minutes

🧾️ Download transcript

Summary

Kurt Vile digs deep in an interview with host Brian Hiatt, discussing his new album Watch My Moves (including his killer version of Bruce Springsteen's "Wages of Sin"), loving Wu-Tang Clan, getting high at a Bob Dylan concert, why he wants Miley Cyrus to cover his songs, drugs, "dad-rock," guitar sounds, and much more Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Hey, I'm Brian Hyatt, and this is Rolling Stone, music now.

0:06.7

Today I'm going to be talking with Kurt Vile.

0:09.4

He's one of my favorite singer-songwriters of this century and one of a relatively small group of people

0:15.2

still doing something interesting with guitars right now.

0:17.6

He was raised in Philadelphia and for a while he played in the band The War on Drugs.

0:21.1

He was best friends with the founder of that band Adam Grandesiel and

0:24.4

Adam played in Kurt's band as well back then. Kurt's entire discography is worth checking

0:28.7

out. His other projects include a great 2017 Collaborative album with Courtney Barnett.

0:33.0

But Kurt Vile's new album is called Watch My Moves and is full of more hazily gorgeous songs including a fantastic springsteen cover.

0:40.0

I had an unusual amount of fun talking with Kurt about songwriting, the many mysteries of classic

0:45.5

rock drugs, Wutane Clan, his time driving a forklift, and a whole lot of other stuff.

0:51.6

Here's that conversation.

0:53.2

How are you down but now I'm just way down low.

1:02.3

Watch my moves. How are you feeling about where you at with your major label debut coming out at this point in your life and career?

1:09.0

It feels really good and it feels just feels like home which is funny to say

1:14.6

because that's where we've all been we've been home a lot more haven't we it's like

1:19.6

no pressure they're like just let me still make the record I want to make. I realize I have my own sort of unique style that kind of gets zoned out at times. I know there's a sort of chill record. It just felt right. These past couple years have been almost like mandatory reflection for most people unless you can turn your brain off, you know?

1:40.0

I feel like especially musically time doesn't pass the same way it did in the

1:44.7

60s and 70s as an example and I have a feeling you might be the kind of person

1:48.4

who does this math it's like okay at the age you're at that's when Bob Dylan did infidels, that's when Springney did Human Touch at Lucky

1:56.7

Town.

1:57.7

When I read books about those very artists, and you're so into the book and then you get to their 40s when they're the lows you know

...

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