4.4 • 13.7K Ratings
🗓️ 1 May 2005
⏱️ 35 minutes
🧾️ Download transcript
Sue Lawley's castaway this week is the journalist Katharine Whitehorn. Katharine Whitehorn was the first journalist to write a column about her personal and domestic life and draw broader truths from her experiences - it's the kind of material that is now commonly found on women's pages and is satirised in Private Eye's Polly Filler - but in the 1950s and 1960s it was a new phenomenon and she was its brightest and wittiest exponent.
She came to journalism through a circuitous route that took in Picture Post, Woman's Own and The Spectator, but it was on the Observer - where she worked for more than 30 years - that she really made her mark. She was at the vanguard of a generation of women who were told they could 'have it all' and she may even be the only one to have managed it - a successful, well-paid career, a happy marriage and complete family. While at the Picture Post she met Gavin Lyall - who went on to become a successful novelist - they had two sons and were married for 45 years until his death in 2002. She is now the agony aunt for Saga Magazine.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Slow movement of Double Violin Concerto by Johann Sebastian Bach Book: A Short History of Nearly Everything by Bill Bryson Luxury: A machine to distil whatever is there
Click on a timestamp to play from that location
0:00.0 | Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.0 | The program was originally broadcast in 2005, and the presenter was Sue Lolly. My costaway this week is a journalist for more than 35 years her articles for the observer newspaper came |
0:35.0 | to be identified with thoughts and behavior of a new breed of woman, one who could manage |
0:40.5 | everything, career, marriage, children, the lot. |
0:43.6 | Well educated, a series of different schools took her eventually to Cambridge. |
0:47.6 | She arrived via magazines including Picture Post and Woman's Own at the Observer. |
0:52.3 | Here she began to cut her own distinctive style, |
0:55.6 | writing about the things that really mattered to a woman as she struggled to bring order to life's |
1:00.1 | complexities. She famously admitted to being a bit of a slut fishing dirty |
1:04.4 | clothes out of the laundry basket and wearing them again and keeping her stockings up |
1:07.8 | with an aspirin in her suspender hook and she taught a whole generation of young |
1:12.2 | people how to cook in a bed-sitter. and she's always presented herself as someone who |
1:13.0 | to cook in a bed sitter. |
1:15.0 | An artful mixture of the trivial and fundamental. |
1:18.3 | She's always presented herself as someone who, |
1:21.0 | although she had it all, knew only too well at what price the possession of such riches came. |
1:27.0 | She is Catherine Whitehorn. |
1:29.0 | You were Catherine very much in the vanguard of such women in the mid 20th century who held down demanding jobs as well as being married |
1:36.3 | and producing babies. Do you recall designing it that way or was it something that simply |
1:41.2 | happened to you? No, I always thought I'd have a career because that was assumed in my family. |
1:47.0 | I think perhaps they were a bit ahead of their time because my aunt went to Cambridge in the 30s and didn't think it odd because her |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from BBC, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of BBC and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.