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The Official Adventures in Odyssey Podcast

July 8, 2015: Notes about the Notes: Composer John Campbell shares secrets of creating Odyssey's music

The Official Adventures in Odyssey Podcast

Focus on the Family

Kids & Family

4.52.3K Ratings

🗓️ 8 July 2015

⏱️ 19 minutes

🧾️ Download transcript

Summary

John Campbell has composed the music for more than 500 Adventures in Odyssey episodes. Now some of his recent music is available as a soundtrack in the Odyssey Adventure Club. John shares the story behind creating some of his favorite musical moments.

Transcript

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0:00.0

Hi Odyssey fans, I'm Bob, producer of the Odyssey Adventure Club.

0:08.3

And I'm Jesse, editor of Adventures in Odyssey Clubhouse Magazine.

0:11.4

Welcome to the official Adventures in Odyssey Podcast.

0:14.3

Today we're talking to the man behind the music on Adventures in Odyssey, John Campbell.

0:18.8

John has been composing for Odyssey since 1987.

0:22.1

His first composition for the show was the opening theme song.

0:25.2

Now he hasn't scored every episode, but he's done more than 500 episodes since then.

0:29.4

He's created music for everything from intense NovaCom episodes to goofy kids' radio stories,

0:34.6

to dramatic adventures in the imagination station. Let's chat with him now.

0:43.1

It's a real pleasure to welcome you back to the podcast, John. So thanks for being with us today.

0:48.1

Absolutely, I'm thrilled to be here.

0:50.2

Well, I know we had you on a previous podcast where we talked about how you got involved with Odyssey

0:55.5

and the creation of the theme song, but today we want to delve in more deeply into the process

0:59.6

of how you create music specifically for each episode. So first off, do you listen to an Odyssey show

1:08.4

before you compose the music for it? Or you just kind of work the cues that the sound guys give you?

1:14.2

That's a great question. And it has a number of answers.

1:19.2

I'll put the audio file up into an audio track and just listen to it, because it's really

1:24.6

important, especially musically, that I listen. If I don't know some of the characters,

1:29.0

it's really important that I listen to their voice. I want to be able to capture that musically.

1:35.6

But in terms of approaching a cue, I will not, and I have said this for years, I normally don't want

1:42.8

to read through the script, because I want to write music of what I'm feeling. It's the anticipation,

1:52.4

like, what's going to happen? I don't know. Let me write a piece like that that says, I don't know

...

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