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Bookworm

Joyce Carol Oates: Man Crazy

Bookworm

KCRW

Arts

4.5606 Ratings

🗓️ 29 January 1998

⏱️ 29 minutes

🧾️ Download transcript

Summary

An unusually revealing conversation about female masochism and creativity: Oates on the harrowing of the flesh, penitence and salvation.

Transcript

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0:00.0

You are a human animal.

0:07.5

You are a very special breed.

0:11.3

Or you are the only animal.

0:15.0

Who can think, who can reason, who can read.

0:19.4

Hello and welcome to Bookworm.

0:21.4

This is Michael Silverblad, and today my guest is Joyce Carol Oates, the author most recently

0:26.4

of Man Crazy, published by Dutton.

0:29.6

I tend to talk to Joyce every two years or so, and in that interim, I like to gather the

0:35.6

books that have come out during that time and talk about all of them,

0:39.1

so we'll be also making excursions into We Were the Mulvaney's and the Book of Short Stories,

0:44.6

where you always love me, all of them published by Dutton.

0:49.4

I wanted to begin with Man Crazy and to talk to you.

0:55.0

This has the quality of a book about the torture of the innocent and seems to have affiliations

1:04.0

with saints' lives, seems to be the kind of narration or confessions, religious conversion confessions. And I wondered,

1:14.1

is this a kind of book in your imagination? I had thought along those lines back on,

1:22.6

in fact, I shouldn't have been surprised that you said that, but I'm sitting here amazed.

1:28.2

Yes, I had thought of the kind of evisceration of the self that one experiences in certain mystic states.

1:38.8

And, of course, in this particular instance, the young woman has experiences of extreme masochism, and she really becomes

1:47.9

obliterated in herself, and then she's born again, in a sense. She's drawn back to life by this

1:54.7

rhapsodic vision and memory of her mother, who sort of calls her back to life. It's the father figure or the

2:03.1

principle of the masculine that has almost destroyed her, but it's the mother figure who calls

2:09.7

her back to life. To me, writing the novel was an experiment in language. I thought perhaps I was working with the very poetry of female masochism.

...

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