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The Daily Poem

John Masefield's "Cargoes"

The Daily Poem

Goldberry Studios

Education For Kids, Arts, Kids & Family

4.6729 Ratings

🗓️ 20 November 2024

⏱️ 13 minutes

🧾️ Download transcript

Summary

Today’s poem evokes entire worlds of vivid images and complex emotions with little more than a carefully-crafted list. Happy reading.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Transcript

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0:00.0

Hello and welcome back to The Daily Poem, a podcast from Goldberry Studios. I'm Sean Johnson,

0:05.9

and today is Wednesday, November 20th, 2004. Today's poem comes from John Maysfield,

0:12.9

the late Victorian early 20th century Seafarer and Poet Laureate for almost four decades

0:20.3

from 1930 until his death in 1967.

0:24.4

The poem is called Cargos. I'll read it once, offer a few comments, and read it one more time.

0:31.5

Cargos.

0:34.4

Quincarim of Nineveh from distant Ophir, rowing home to haven in sunny Palestine, with a cargo of ivory and apes and peacocks, sandalwood, cedarwood, and sweet white wine.

0:48.5

Stately Spanish galleon coming from the isthmus, dipping through the tropics by the palm-green shores, with a cargo of diamonds, emeralds, amethysts, topazes, and cinnamon, and gold-moy doors.

1:01.6

Dirty British coaster with a salt-caped smokestack,

1:05.1

butting through the channel in the mad March days,

1:07.9

with a cargo of tyne coal, road rails, pig pig lead, firewood, ironware, and cheap tin

1:14.2

trays.

1:17.6

This is an early Maysfield poem, and it is wisely unambitious or wisely reserved.

1:25.8

Maybe it is ambitious in what is trying to communicate, but he shows

1:29.7

insight in not trying to communicate at all explicitly. The instinct of many inexperienced poets,

1:37.7

especially maybe more modern poets, is to be preoccupied with what they think and feel,

1:43.5

which is valuable. Don't get me wrong,

1:46.2

but sometimes gets in the way of effectively recreating those thoughts and feelings in someone else.

1:53.6

This poem is purely descriptive, and yet by the end we are left with a strong impression

1:59.0

and little doubt about what the poet, or at least

2:02.1

the speaker of the poem, thinks and feels. This poem also belongs to a niche genre of poetry

2:08.8

that I happen to have a soft spot for, and that is the poetry of lists. I love a good list poem.

...

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