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🗓️ 7 May 2024
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In today’s poem, John Keats isn’t worried about authenticity–and that’s just fine.
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0:00.0 | Welcome back to The Daily Poem, a podcast from Goldberry Studios. I'm Sean Johnson in today's Tuesday, May 7th, 2004. |
0:09.0 | Today's poem is by John Keats, and it's called How Many Bards Gild the Lapses of Time. |
0:17.0 | I'll read it once, then offer a few comments, and finally read the poem one more time. |
0:26.0 | How many bards gild the lapses of time? A few of them have ever been the food of my delighted fancy. |
0:34.4 | I could brood over their beauties earthly or sublime, and often, when I sit me down to rhyme, |
0:40.7 | these will enthrongs before my mind intrude, but no confusion, no disturbance rude to they occasion, |
0:48.4 | tis a pleasing chime. So the unnumbered sound that evening store, the songs of birds, the whispering of the leaves, |
0:56.0 | the voice of waters, the great bell that heaves with solemn sound, and thousand others more. |
1:03.0 | That distance of recognizance bereaves make pleasing music and not wild uproar. |
1:17.6 | So this is a Kitsian sonnet. |
1:34.5 | It holds a special place in my heart because I once wrote a parody of this poem for a college assignment entitled How Many Beards Gild the Lapses of Time. |
1:48.6 | And it was a, if I don't say so myself, a pretty clever catalog of famous beards throughout history, culminating in the beard of Aaron, with the oil running down to the fringe of his garment. I don't know if this poem still exists. |
1:55.9 | It's certainly not worthy of the daily poem, but it had its moments. |
2:02.9 | This poem has its moments, too, many more of them. |
2:07.8 | This is a poem about influence. |
2:12.8 | There is a famous essay by T.S. Eliot called Tradition and the Individual Talent in which he talks about the |
2:28.1 | impossibility of not being influenced by the work of artists that have come before you, |
2:37.0 | and that an individual artist has to find a way to recognize their proper place, |
2:48.0 | fit into their proper place within an existing tradition, but that they |
2:52.5 | really can't escape doing that to some degree. It's like building a new building in a crowded |
3:00.2 | city. There's already a skyline. There's already a cityscape in existence, and your building is going to be informed by all |
3:10.5 | of the others around it. They're going to cast shadows on your building at certain times of day, |
... |
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