Hi and welcome to season two of the Team Deakin's podcast.

A collection of informal conversations between Roger and James Deakin's and Aghast.

We never know where the conversation will take us, so listen in and see where it goes.

This episode is sponsored by Falca, a Barcelona-based production company supporting television,

feature films and commercials, as well as assisting international companies planning to shoot in Spain.

Falca's team is adaptable and resourceful and loves the craft of making good movies.

Today's podcast is being brought to you by True Cut Motion from PixelWorks.

True Cut Motion is an advanced motion grading technology that works seamlessly with both theatrical

and home streaming distribution, providing filmmakers with a broad new pallet of motion looks

previously not possible. By unlocking tools for the adjustment of jutter, shutter angle,

and speed ramps shot by shot and post production, True Cut Motion gives the filmmaker

unprecedented control of the motion look of their work on any screen.

Today we're speaking with a cinematographer, some of his credits include an education,

the full Monty, and the Mighty. We're pleased to welcome John DeBormann.

John, thank you for doing this. Welcome John.

Oh hello, hello. This podcast is so good. It's so good. It's such a dark day.

Oh great, I did like it. It's a document of our time, which is brilliant.

In a hundred years' time people will still be able to listen to some of this.

Yeah, I hope so. Will they care about movies then? I don't know.

We'd like to start with our usual question, which is how did you get to where you are today?

You were born in Paris and were sculptor at art college, so how in the world did you end up

being a cinematographer? British one too. Yes, well I was born in Paris and I came over

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