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🗓️ 14 June 2010
⏱️ 68 minutes
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0:00.0 | Welcome to Econ Talk, part of the Library of Economics and Liberty. I'm your host Russ Roberts |
0:13.9 | of George Mason University and Stanford University's Hoover Institution. Our website is econtalk.org |
0:21.2 | where you can subscribe, find other episodes, comment on this podcast, and find links to |
0:26.5 | another information related to today's conversation. Our email address is mailadicontalk.org. We'd |
0:33.6 | love to hear from you. Today is June 8, 2010, and my guest is Johanna Blakely, Deputy Director |
0:43.7 | of the Norman Lear Center, a think tank at the University of Southern California, Johanna |
0:48.6 | Welcome to Econ Talk. Thank you. Now, you're a student and expert on culture and fashion and a |
0:57.8 | whole wide array of stuff. I found out about you because of a talk you did at TED.com, which we'll |
1:03.8 | put a link up to on the site for this podcast. And our goal today is to explore some of the issues |
1:10.2 | you raised in there on fashion and intellectual property. And we make it into some other issues as |
1:16.3 | well. But let's start with fashion. Fashion is a fascinating world, especially to those of us on |
1:23.4 | the outside. I'm really on the outside. Nobody's on the outside. Well, that's true. Well, my fashion's |
1:29.5 | on the outside. It doesn't, it doesn't make much of a statement about myself. I have to say, but |
1:33.2 | everything you wear makes a statement. I want to talk about that later. We may, the beauty of this |
1:39.8 | show is that you can't see just how frumpy I am, but or dumpy. But let's start with a higher brow |
1:48.2 | topic, which is intellectual property in the fashion world. What is protected in the fashion world via |
1:55.2 | the law and legislation? What is not? Well, the main protection that fashion designers have is over their |
2:02.2 | trademark, their logo, their name. And so the source of the apparel design is protected. And that's |
2:09.7 | why you hear a lot about these raids on tyrants who have made fake copies of Louis Vuitton bags or |
2:17.1 | whatever that they make available on Canal Street in New York or in a Santiago alley here in Los Angeles. |
2:24.9 | So they have control of their name. And they have copyright protection for all of the two |
2:31.2 | dimensional designs that go into the creation of a garment. So if they create a textile design with |
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