Israel's Architecture of Occupation: Eyal Weizman on Gaza & Targeting of Jewish Pro-Palestinian Voices
Democracy Now! Video
Democracy Now!
4.6 • 1.1K Ratings
🗓️ 22 March 2024
⏱️ 40 minutes
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| 0:00.0 | This is democracy now, democracy now. |
| 0:06.5 | The War and Peace Report. |
| 0:08.8 | I'm Amy Goodman with Nermann Sheikh, as we continue with part two of our discussion with Ailva Itseman, the founder of forensic architecture. |
| 0:17.0 | In part one of our discussion, we looked at a report published by the research group, Forensic Architecture, which counters Israel's argument at |
| 0:24.9 | the International Court of Justice that it followed humanitarian policies to |
| 0:28.8 | safeguard civilian life in Gaza. South Africa argued in January before the ICJ that Israel was guilty of genocide |
| 0:36.7 | during its war on Gaza. The report argues that what Israel says are humanitarian evacuations in Gaza actually amount to the forced displacement |
| 0:45.9 | of Palestinians, which is a war crime. |
| 0:48.9 | For more we continue in London with Eel Weitzman, a British Israeli architect who's the founder of forensic |
| 0:56.6 | architecture and professor of spatial and visual cultures at Goldsmiths College at the University of London. |
| 1:03.6 | He's the author of several books including Hallaland, Israel's architecture of occupation, and |
| 1:09.2 | the least of all possible evils, a short history of humanitarian violence. |
| 1:14.1 | He's also a member of the Technology Advisory Board of the International Criminal Court |
| 1:20.1 | and of the Center for Investigative Journalism. |
| 1:23.7 | Aoy, thank you so much for staying with us. |
| 1:27.0 | Eana, I'd like to begin by talking a little bit more about the background of forensic architecture and how you came to do this work, |
| 1:37.1 | you wrote a piece in 2019 called Open Verification. |
| 1:42.4 | You say in the piece that more than a decade ago, I would have found the idea |
| 1:47.4 | of a forensic institute to be rather abhorrent, you wrote. But you said that your position changed in response to changes in the |
| 1:56.2 | texture of our present and to the nature of contemporary conflict. |
| 2:01.5 | So if you could, you know, know elaborate on that what changes are you |
| 2:05.1 | referring to and how does this particular form of research respond more |
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