Hello and welcome to Little Gold Men, the podcast from Vanity and Panamplay that proves that awards season is a year-round event.

I'm Katie Rich, the deputy editor of vanityfair.com, and in our New York studio is our digital director

Mike Hogan.

Hey, Katie.

And our film critic Richard Lawson.

Hello.

And over in Oakland is our senior writer,

Andreaana Robinson.

Hello.

Richard, it's so good to have you back on this continent.

I hope that the decompression from France hasn't been too terrible.

It's been fine other than, I mean the great thing about flying back west is that you wake up really early

and you're just like ready to start the day so that's good

but the weather here sucks man I mean France was 75 and sunny every day and it's now

I think the sun died at some point that's why Trump stopped tweeting last night.

Exactly. Anyway.

We're going to share on this episode an interview that Rebecca Keegan did with Claire Foy, the

star of the crown, and we're also going to get into the week's big new release Wonder Woman.

But before any of that, I wanted to just briefly look back on Can a little bit because

Richard we talked about it last week while you were still there but on Monday

you published kind of a wrap-up of what you learn from can this year and kind of the general

vibe of it being a bummer in some way that might be kind of overstating it but why did you come

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