4.7 • 837 Ratings
🗓️ 17 September 2019
⏱️ 36 minutes
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| 0:00.0 | Sometimes, when you're lucky, you get a chance to talk with the smartest person in the room. |
| 0:06.0 | I got to do that earlier this year, and now you get to do it too. |
| 0:16.0 | From the Folger Shakespeare Library, this is Shakespeare Unlimited. I'm Michael Whitmore, the |
| 0:23.1 | Fulcher's director. Last March, I moderated a Q&A about Othello at a conference on Race |
| 0:29.3 | and Shakespeare at Lafayette College in Pennsylvania. On stage with me was someone I knew only |
| 0:35.7 | by reputation. |
| 0:40.5 | Iqbal Khan, a brilliant theater director. |
| 0:46.2 | He's best known for digging into Shakespeare's plays and unearthing all the parts that make them relevant to 21st century audiences. |
| 0:49.6 | But the more we talked and the more I learned about him, the more convinced I was that Iqbal Khan |
| 0:55.7 | is the perfect guest for Shakespeare Unlimited. He's someone who thinks deeply about Shakespeare |
| 1:01.8 | in broad, new, and exciting ways, and he's someone who's bringing the benefits of all that thinking |
| 1:08.3 | to theater-goers around the world. Iqbal is also an authentically |
| 1:13.2 | generous person who agreed to take time from his directing work to come into a studio in London |
| 1:18.4 | and to talk. We call this podcast Tell the Tale a Tale a New. Iqbal Khan is interviewed by Barbara |
| 1:25.7 | Bogave. When you begin work on a new production of Shakespeare, what criteria or checklist do you bring with you? |
| 1:34.1 | I mean, are there requirements that you feel every performance has to meet or things you feel every production must have to meet your standards? |
| 1:45.1 | No, I certainly don't presume to have a checklist to mark against Shakespeare and whether he |
| 1:51.6 | qualifies or not. I suppose it's a bit more nebulous than that. I think I have to feel that |
| 1:57.8 | when I'm being asked to do a Shakespeare play, that I feel a concrete, visceral |
| 2:05.4 | connection to the material now. We change and his plays change as we change and as the world |
| 2:12.8 | changes. So when I'm asked to do a play, I read it and I first of all try and just listen to what it detonates in me. |
| 2:23.3 | I love that idea and that word that you use detonates because I know as when I go to see a Shakespeare play and I'm sitting in the audience, I'm kind of in the back of my mind, I'm aware of all the |
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