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The Next Best Picture Podcast

Interview With The "Guardians Of The Galaxy Vol. 3" Visual Effects Team

The Next Best Picture Podcast

The Next Best Picture Podcast

Tv & Film

4.2542 Ratings

🗓️ 26 February 2024

⏱️ 24 minutes

🧾️ Download transcript

Summary

"Guardians Of The Galaxy Vol. 3" was one of the few bright spots Marvel had in 2023, as the third entry in the franchise brought forth an emotional and thrilling conclusion to James Gunn's trilogy with these beloved characters. It remains the only mini-franchise within the larger MCU to receive an Oscar nomination for each of its films for Best Visual Effects. The Oscar-nominated visual effects team of Stephane Ceretti, Alexis Wajsbrot, Guy Williams, and Theo Bialek were all kind enough to spend time dissecting the work that went into this massive production. Please be sure to check out the film, which is up for your consideration for Best Visual Effects and is now available to stream on Disney+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

You are listening to The Next Best Picture Podcast, and this is Will Mavity's interview with the Oscar nominated visual effects team for Guardians of the Galaxy Volume 3.

0:09.3

Stefan Karatei, Alexis Washbrot, Guy Williams, Theo Fialek.

0:14.5

I'm going to tell you something.

0:16.3

I'm Starlord.

0:19.5

I formed the guardians.

0:21.6

Met a girl fell in love.

0:25.6

That girl died.

0:27.6

But then she came back.

0:29.6

Came back a total dick.

0:32.6

Oh, please.

0:34.6

He left out some important information, but that is the gist of it.

0:40.3

So this had some kind of record, I think, both in terms of VFX shots and also in terms

0:47.8

of, although they're a different team in terms of prosthetics used.

0:53.1

So this was pretty massive scale on both counts.

0:57.0

I think I read, what does this have, like 3,300 VFX shots? Does anyone have a number for me?

1:02.0

Yeah, I have a number. It's actually 3,06. But, you know, if you count the shots that we didn't finish because we cut them out, it's around 3,300.

1:12.6

And actually, we're doing the Christmas special at the same time, which was about another 600 shots that we did.

1:20.6

So, yeah, it was a lot of work. And I want to talk for our friends at Legacy and all the makeup team, but they did break

1:28.2

a record apparently in terms of the number of prosthetic appliances they've done, you know, it

1:34.2

was kind of crazy, the amount that they've done for the film.

1:38.0

Yeah, I was sad that they weren't nominated along with you guys, you know, but I'm glad

1:44.1

at least your

...

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