Insights from NYT Bestselling Authors, Ali Hazelwood and Kiley Reid
The Shit No One Tells You About Writing
Bianca Marais, Carly Watters and CeCe Lyra
4.8 • 733 Ratings
🗓️ 1 February 2024
⏱️ 100 minutes
🧾️ Download transcript
Summary
In today's Books with Hooks, Bianca, Carly, and CeCe discuss the need for specificity with regard to plot details when you have a more psychological book/concept; avoiding too much backstory in the opening pages; the need for your first chapter to be as strong as your prologue (if you have one); being as specific about your genre as possible; and how emotionality adds layers to your work.
After which, we have two author interviews.
Bianca first interviews NYT bestselling Ali Hazelwood, author of Bride and The Love Hypothesis. They discuss how Ali started writing fanfiction; the unconventional way she got her agent; Ali's submission experience with The Love Hypothesis; reader fascination with vampires and werewolves; how Ali tackled world-building in Bride; writing an 'alpha male' trope that still aligns with feminism; how Ali approached making her prickly main character more sympathetic; and Ali's advice for writing steamy scenes.
After which Bianca interviews Kiley Reid, author of the NYT bestseller, Such a Fun Age, and her latest, Come & Get It. They discuss Kiley's journey to publication; her choice of inciting incident for both of her novels; how she successfully 'broke the rules' with regards to character introduction in the first chapter; her strategies for writing authentic dialogue; leaning into specificity through action beats within dialogue; Kiley's 'signature move' involving the introduction of backstory; and tips for writing a quieter novel, but with strong, 'loud' undercurrents.
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Transcript
Click on a timestamp to play from that location
| 0:00.0 | It's a new year and time to get fresh eyes on your work in progress. |
| 0:04.8 | Are you looking for beta readers, some of whom might potentially become writing group members |
| 0:09.2 | down the line? |
| 0:10.2 | Are you wanting to be matched up with those writing in a similar genre and or time |
| 0:15.0 | zone so they can critique your work as you critique theirs at the same time? |
| 0:19.5 | Your manuscript doesn't have to be complete to sign up |
| 0:22.1 | for this 3,000 word evaluation. This matchup will be open to registrations from now until the |
| 0:28.5 | 2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day. |
| 0:35.4 | For more information and to register, go to Bianca Moray.com and go to |
| 0:39.7 | the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this |
| 0:45.7 | time. The more writers we have signed up, the better the matches will be. Hello from CC. |
| 0:52.6 | I'm so excited to announce an all new class called Starting It |
| 0:56.4 | Right, which is all about how to begin your story in the best place and in the best way. Now, |
| 1:01.6 | this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different |
| 1:06.9 | types of beginnings and how to choose the best one for your story, how to frame your |
| 1:11.6 | inciting incident in a compelling way, common mistakes writers make when starting a story, |
| 1:17.3 | how to balance exposition and mystery, how to make readers connect with your protagonist, and how |
| 1:23.6 | to make the reader want to turn to the next chapter and so much more. |
| 1:28.3 | And guess what? |
| 1:29.3 | For the first time ever, there will be an interactive component to my class. |
| 1:34.3 | Everyone who is registered will have the option of sending in the opening scene of their work |
| 1:40.3 | for a chance to be critiqued during the webinar. |
... |
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