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Chicks on The Right Show w Mock & Daisy

Inside the Culture War With Robby Starbuck: DEI Lies, Gen Z’s Awakening & the Conservative Comeback

Chicks on The Right Show w Mock & Daisy

Radio America

News, News Commentary, Daily News

4.41.8K Ratings

🗓️ 2 August 2025

⏱️ 51 minutes

🧾️ Download transcript

Summary

In this episode, Mock and Daisy sit down with former music industry insider turned activist Robby Starbuck to unpack what they see as a cultural tipping point in America. From losing friends and jobs after endorsing Trump, to exposing DEI hypocrisy in major corporations you won’t believe, to making a documentary so powerful, Elon Musk retweeted it. They also dive into how COVID changed everything for Gen Z, why corporate America is terrified of bold conservative voices, and what it really means when they say, “We need to build our own media.” From teen focus groups to whistleblowers to Hollywood cancel culture, this episode hits every major front in the culture war.

Transcript

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0:00.0

Welcome to another episode of The Chicks on The Right Show.

0:02.7

We are very, very excited to have someone with us that probably a lot of folks in our audience are already familiar with through social media.

0:09.9

Robbie Starbuck is our guest.

0:11.8

And you may recognize his posts from going after lots and lots of companies about their DEI programs and really creating awareness and actual like online campaigns

0:22.7

to get those companies to stop the crazy DEI stuff that they've got going on. But you may not

0:28.7

know that Robbie used to be a music video director. So we want to find out how you started at point

0:35.6

A and are now basically at point Z. Yeah. They're diametrically

0:41.5

opposed sort of arenas, right? It is interesting. They're both probably the most like difficult

0:46.8

arenas to, you know, sort of penetrate in different ways. And, you know, on the music side of things, essentially, if I go all the way back,

0:55.7

as a kid, I was just in love with music and in love with films. And so I knew I wanted to,

1:01.5

you know, do something in that arena. And I figured, why don't I just fuse the two together, right?

1:06.0

And so as a kid, I was like sneaking into shows and filming artists and then showing them what I filmed.

1:12.3

And it was probably awful at first. I was probably terrible because I completely self-taught, right?

1:17.9

And, you know, eventually it was good enough where one of them was like, hey, we want to use this.

1:23.5

Can we give you a couple hundred bucks, you know, or something like that? It was something ridiculous.

1:27.4

And like, okay. And where was it? Oh, I was in the area. I lived in Temecula, California. That's where I mostly grew up. But, like, outside of that area, I mean, like, I would drive, like, hundreds of miles sometimes, you know, at, like, 15, 16 years old to go do this. So, you know, I'd kind of go anywhere and try to film artists that, you know, I felt like, okay, maybe people will want to see what they're like live, right? And you got to remember, this is early on where there's not a lot of videos of artists online, you know, on the internet. But this is like, this is like 90s?

2:01.4

It was like 2000. When was this? The 2000s. You know, this was early on, early YouTube, you know, things like that. So I was one of the early people in the partner program at YouTube. Okay. Because we had tons of music videos. So I actually did interesting deals with labels. Like, I think in Hollywood,

2:18.2

it's very hard to break in if you're not, you know, connected to, you know, the Hollywood elite,

2:23.8

or you're not from a wealthy family or something along those lines, right? And for me, I was none of

2:28.7

those things. And so I had to have a differentiator. And for me, it was that we were breaking the

2:33.7

mold of how this had always worked. When I came into the industry, everything had kind of a differentiator. And for me, it was that we were breaking the mold of how this had always worked.

2:35.4

When I came into the industry, everything had kind of still been shot on film. And it was very

...

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