This is the Guardian.

Today, why is there so much money sloshing around the art world?

So we've just arrived in Regent's Park on a mild Wednesday afternoon and there is,

you can probably hear the hubbub, there are so many people about and this is it.

This is the spot where people come to look at the art, to pose, to blank, to be seen, to see.

It is free.

For London's art scene, it's arguably the biggest event of the year.

The chance to shmuse, to show your stall as a gallery, your value as an artist,

and well to buy and sell a hell of a lot of work.

So you've never been to freeze before, it's a massive white tent,

so you're in some sort of giant gallery supernova, and it's just a constant

barrage of artworks. I mean, it's very overstimulating, something of a visual assault for the eyes.

There are giant sculptural pumpkins courtesy of Anthiath Hamilton, fungi from Turner prize-winning

Taishani, paintings, installations, a pink silk glove one artist is using to tickle the crowds.

What's happening? I'm being fondled.

Really, it's a tentacles, no? Together as one.

We have 164 galleries traveling from 37 countries to be here in London and showcase the best

of contemporary art. Anyone who's interested in art should be here and see the fair.

It's really a unique moment where you're able to see the entire art world in one place.

Friends, it's amazing, everybody needs to come.

People with super yacht tans who have had a lot of expensive work done pose against

very expensive works. Art and fashion students look chic and utterly aloof.

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