4.6 • 1.9K Ratings
🗓️ 4 June 2024
⏱️ 60 minutes
🧾️ Download transcript
When Michael Moore murdered Jordan Rasmussen and Buddy Booth, he left five children without fathers. When they were young, the adults in their lives made decisions about whether they would oppose or support Michael’s release from prison. But as Michael approaches his fourth parole hearing those children will be old enough to speak for themselves. Is forgiveness something they inherit, or will they come to their own conclusions? For more on the Letter Season 2: Ripple Effect, including pictures, find us on social @theletterpodcast or visit our website, theletterpodcast.com. If you want to hear more and would like to support us, please consider subscribing on Apple podcasts for access to our bonus episodes. We drop a bonus episode every week.
Written by Amy Donaldson and Andrea Smardon.
Production and sound design by Andrea Smardon, Nina Earnest and Aaron Mason. Mixing by Trent Sell.
Special thanks to Becky Bruce, KellieAnn Halvorsen, Ryan Meeks, Ben Kuebrich, Feliks Banel, Josh Tilton and Dave Cawley.
Main musical score composed by Allison Leyton Brown.
With Lemonada Media, Executive Producers Jessica Cordova Kramer and Stephanie Wittels Wachs.
For WorkHouse Media, Executive Producer Paul Anderson.
And for KSL Podcasts, Executive Producer Sheryl Worsley.
The Letter is produced by KSL Podcasts and Lemonada Media in association with WorkHouse Media.
See omnystudio.com/listener for privacy information.
Click on a timestamp to play from that location
0:00.0 | Lemonnader. |
0:05.0 | A warning about content. |
0:08.0 | This episode contains discussions of sexual assault. |
0:11.0 | Please take care when listening. |
0:14.6 | For most people, the squawk of a school intercom system |
0:22.2 | lives somewhere in the abandoned hallways of our memories. |
0:25.8 | A sound that once alerted students to the day's big events and important issues fades slowly |
0:31.8 | to become a small part in a distant symphony of childhood noise. |
0:37.0 | But for Lisa Rasmussen-Oopfar, that sound never faded, and even decades removed from those grade school |
0:47.1 | hallways, it drags her back to a loss so profound. |
0:51.6 | It's just part of who she is. That noise or anything like it, instantly summons fear. |
1:00.0 | Whenever I would hear like that beep and then an announcement I would get nervous. |
1:05.1 | When Lisa hears that sound, she's no longer a 47 year old woman. |
1:09.7 | She falls through time back to Friday, March 5th, 1982, when she was a carefree five-year-old |
1:16.6 | sitting in her kindergarten class. |
1:18.9 | The most exciting thing about that morning had been the storm that brought new snow. And then she heard that |
1:24.8 | inner calm beat and the voice of someone asking her to come down to the principal's |
1:29.6 | office. Lisa walked on the long hall to the office where her neighbors did waiting and |
1:35.1 | someone told her she was going home early. No one told her why and she doesn't |
1:40.5 | remember asking any questions. I had never been checked out of school before. And she walked outside |
1:42.7 | had never been checked out of school before. |
1:45.4 | She walked outside where her eight-year-old brother Dave was standing next to their neighbor's |
... |
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