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🗓️ 30 June 2010
⏱️ 14 minutes
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0:00.0 | Thank you for downloading this episode of a history of the world in a hundred objects |
0:07.8 | from BBC Radio 4. |
0:11.8 | So far in this history of the world through things, we've encountered all kinds of objects, |
0:19.0 | all eloquent, but not all particularly valuable or attractive. But today's object is in any view a great cast in brass. It's quite clearly the portrait of a person, but we don't know who. It's without question by a very great artist, but we don't |
0:46.9 | know who. And it must have been made for a ceremony, but we don't know what. What is certain is that the head is African, its royal, and it |
0:57.9 | epitomises the great medieval civilizations of West Africa of about 700 years ago. It was one of a group of heads discovered in |
1:06.1 | 1938 in the grounds of a palace in Ifei Nigeria and they astonished the world |
1:11.8 | with their beauty. |
1:13.0 | They were immediately recognised as supreme documents of a culture that had left no written record |
1:19.0 | and they embodied the history of an African kingdom that was one of the most advanced and urbanised of its day. |
1:25.2 | The sculptures of Ifei exploded European notions of the history of art and they forced |
1:30.7 | Europeans to rethink Africa's place in the cultural history of the world. |
1:35.0 | Today, they play a key part in how Africans read their own narrative. |
1:41.0 | We still don't know much about the African past. What we know right now is a |
1:47.2 | fraction of what is yet to be discovered. Personally, I look at it and I'm struck by its tranquility, its upward gaze. |
1:59.0 | It's not just a tranquility of power, it's a tranquility of being in an inner sanctum almost. |
2:07.0 | A history of the world in a hundred objects. Ifei Head, a bronze statue from Nigeria, probably 15th century. |
2:40.0 | I'm in the Africa Gallery looking at the IFA head, or rather he is looking at me. |
2:47.0 | His head is a little smaller than life size and made of brass which is now darkened with age. |
2:53.2 | The shape of the face is an elegant oval, |
2:56.0 | covered with finely incised vertical lines, |
2:59.3 | but it's a facial scarring so perfectly symmetrical that it contains rather than disturbs the features. |
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