Hi everybody I'm dropping into your feed to let you know that starting June 23rd you are

invited to a class called Discovering Your Own Patron Saints, a guided workshop with Natalie

Fulcarts. In this six session class you will explore

beloved characters from literature who have jumped off the page and made their way

into the moral fabric of your life. The first week of this class you're going to

explore what we mean by patron saints and then each subsequent week will be

devoted to a different value. Wonder, imagination, grief, and courage. If you are seeking spiritual guidance outside

of the constraints of formal religion, if you are someone who finishes a novel and feels like you have said goodbye to new friends,

then this class is for you.

Register before the first class on June 23rd by going on Not Sorry Works.com, that's N-O o r r r r r y w o r k s dot com Test me. I kind of think that if you show me a hundred stills from a hundred

different movies I could tell you what genre of movie it was based on the look of it. Like I think I'd get a B-plus on this

test. Some of that is costuming and set design like we talked about with Stuart Blatt. But a lot of it is something called cinematography.

Unfortunately, I don't know what cinematography is.

I vaguely think it has something to do with cameras, but most of what I know about

cinematography is from the documentary TV show Dawson's Creek. I'm picturing Dawson

in a wheelchair with Joey pulling him so there's a smooth shot

one without the camera jostling. But Dawson was the director of his student films

so I don't know where the director ends and the cinematographer begins.

In watching How to Lose a Guy in 10 Days so many times, so many times over the last six months, so many times. I have noticed some things that I think are related to cinematography.

The way that Ben's office is lit is really different from the way that

Andy's office is lit, for example.

And I'm sure that those things work on me in ways that I can't understand.

...