How the Memphis Police Controlled the Narrative of Tyre Nichols’s Killing
The Political Scene | The New Yorker
The New Yorker
4.3 • 3.9K Ratings
🗓️ 1 February 2023
⏱️ 37 minutes
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Summary
Last Thursday, the Memphis Police Department announced that it was firing five police officers who beat a man named Tyre Nichols to death during a traffic stop. Shortly afterward, all five officers were jailed and charged with murder. Then the police department released body-camera and surveillance-camera footage of the incident. In the days that followed, the footage, and the question of whether or not to watch it, became the object of public preoccupation, superseding the violence it captured. Doreen St. Félix is a staff writer at The New Yorker. She joins Tyler Foggatt to discuss police-brutality videos as cultural objects—and the police as a storytelling apparatus.
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| 0:47.8 | Tyree Nichols was killed in the beginning of January, January 7th. |
| 0:52.2 | And obviously there was traction with a news story, but there was a way in which |
| 0:56.8 | I think like a secondary or meta news story started to evolve when the police department and the |
| 1:04.6 | city of Memphis said that they would release this footage. Not only the announcement of that |
| 1:09.2 | footage being released, but the narrativeizing |
| 1:12.2 | around that footage being so bad that it could possibly spark another round of uprising |
| 1:17.6 | or being so bad that people should be encouraged not to watch it, that becomes a secondary news |
| 1:22.6 | story. That's my colleague Doreen St. Felix. |
| 1:30.0 | I'm Tyler Foggett, and this is the political scene. |
| 1:34.2 | She's been thinking a lot about police brutality videos as cultural objects and the police as a storytelling apparatus. |
| 1:37.2 | For the past few days, we've both been thinking about the murder of Tyree Nichols |
| 1:40.5 | and how the Memphis Police Department's videos have shaped the public narrative |
| 1:43.6 | and distracted us from the real conversation we should be having. |
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