4.8 • 626 Ratings
🗓️ 6 February 2025
⏱️ 66 minutes
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0:00.0 | It's very risky when we start letting companies like Universal Music Group and these big tech companies be determining like who is a serious artist and who is an unprofessional hobbyist who doesn't deserve to make like any royalties at all for their work. |
0:14.2 | These are really slippery slopes, I think. |
0:16.0 | Yeah. Hello and welcome to Sack Won't Save Us, made in partnership with The Nation magazine. |
0:36.1 | I'm your host, Paris Sparks, and this week my guest is Liz Pelly. Liz is a music journalist and the author of |
0:41.0 | Mood Machine, the rise of Spotify, and the cost of the perfect playlist. Now, Liz has been on the show |
0:46.1 | in the past. When I was preparing for the show, I was imagining, you know, it was probably a couple |
0:50.5 | years ago, like maybe 2022. But then when I got on the call with Liz, |
0:55.0 | she reminded me that actually she was on way back in 2020 in the first year of the show to talk |
1:00.8 | about Spotify with me. And on one hand, I couldn't believe it was that long. But on the other, |
1:05.5 | it was a reminder of how long I've actually been making Tech Won't Save Us and however coming |
1:09.5 | coming up on the fifth year anniversary of this show. So I was super happy to finally have Liz on after all of those years, |
1:17.7 | apparently, to go through her new book and to discuss these really important things that she found |
1:22.6 | in reporting out this story about Spotify, its impact on artists, and its impact on the way that we listen to |
1:29.1 | music. The first episode we did this year was with Will Tavlin talking about Netflix and the impact |
1:34.2 | of the Netflix model on film and television. So I think that this is a really good accompanying |
1:39.0 | episode to a conversation like that, right? Instead of looking at film and TV, looking at the music industry, |
1:45.2 | and, you know, what this kind of streaming model, and particularly how Spotify has implemented |
1:50.8 | it, has really meant for music and, you know, how we consume and how we experience this really |
1:56.9 | important art form. I'm sure you've heard about how Spotify, you know, doesn't pay artists |
2:02.1 | particularly well. We obviously go over that in this conversation, but there's a much |
2:06.4 | deeper story to be told here about how Spotify works, about how it impacts music, about, you know, |
2:12.6 | the impacts of, you know, this model of collecting all this data on us and, you know, supposedly |
... |
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