How Interiority Makes a Character Come Alive

The Shit No One Tells You About Writing

Bianca Marais, Carly Watters and CeCe Lyra

How To, Books, Education, Fiction, Arts

4.8 • 733 Ratings

🗓️ 20 June 2024

⏱️ 78 minutes

🔗️ Recording | iTunes | RSS

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Summary

In today's Books with Hooks, Bianca, Carly, and CeCe critique a rom-com and a YA submission. They discuss the importance of clarity in your query and avoiding language that might cause confusion; the necessity of a clear major dramatic question in your query; ensuring your protagonists aren't anticipating everything that happens in your pages; the necessity of including a character's tone in dialogue; properly mapping out how your plot points connect; thinking in specifics and futurization; and an example of strong opening pages.

After which, Bianca chats with Claire Lombardo, best-selling author of The Most Fun We Ever Had and Same As It Ever Was. They discuss opening pages; advice for creating tension; Claire's drafting process and how she approaches interiority; getting to know your characters in moments that aren't necessarily life-changing; successfully writing a novel where a character is alone most of the time; balancing interiority and emotionality with avoiding too much telling; why Claire chose third-person POV instead of first; how she approaches characterization and fleshing out her characters to make them more realistic; why she chose to have a single POV rather than multiple like in her first novel; and how the book evolved into a dual timeline.

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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More information about Claire can be found at https://www.clairelombardo.com/

She's also on Instagram at https://www.instagram.com/claire_lombardo

Carly's course for writers, The Author's Publishing Playbook, is available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

To sign up for the Beta Reader Match Up, go to https://www.biancamarais.com/beta-reader-match-up.html

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Transcript

Click on a timestamp to play from that location

0:00.0	It's a new year and time to get fresh eyes on your work in progress.
0:04.8	Are you looking for beta readers, some of whom might potentially become writing group members
0:09.2	down the line?
0:10.2	Are you wanting to be matched up with those writing in a similar genre and or time
0:15.0	zone so they can critique your work as you critique theirs at the same time?
0:19.5	Your manuscript doesn't have to be complete to sign up
0:22.1	for this 3,000 word evaluation. This matchup will be open to registrations from now until the
0:28.5	2nd of March with the matchup emails going out on the 3rd of March. Always such an exciting day.
0:35.4	For more information and to register, go to Bianca Moray.com and go to
0:39.7	the beta reader matchup tab. And please spread the word, even if you aren't joining the matchup this
0:45.7	time. The more writers we have signed up, the better the matches will be. Hello from CC.
0:52.6	I'm so excited to announce an all new class called Starting It
0:56.4	Right, which is all about how to begin your story in the best place and in the best way. Now,
1:01.6	this is going to be a four-day class, so come prepared to take lots of notes. We'll cover the different
1:06.9	types of beginnings and how to choose the best one for your story, how to frame your
1:11.6	inciting incident in a compelling way, common mistakes writers make when starting a story,
1:17.3	how to balance exposition and mystery, how to make readers connect with your protagonist, and how
1:23.6	to make the reader want to turn to the next chapter and so much more.
1:28.3	And guess what?
1:29.3	For the first time ever, there will be an interactive component to my class.
1:34.3	Everyone who is registered will have the option of sending in the opening scene of their work
1:40.3	for a chance to be critiqued during the webinar.
	...

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