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Current Affairs

How "Don't Look Up" Explains Our Times (w/ Adam McKay)

Current Affairs

Current Affairs

Comedy, Government, News, Culture, Politics

4.4645 Ratings

🗓️ 8 February 2025

⏱️ 53 minutes

🧾️ Download transcript

Summary

Transcript

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0:00.0

Welcome to Current Affairs. My name is Nathan Robinson. I'm the editor-in-chief of Current Affairs

0:22.4

Magazine. I am joined today by the legendary director Adam McKay. Adam has served as the head writer

0:33.3

at Saturday Night Live. He is the director of a number of classic American comedies, including

0:38.2

Anchorman, Talladega Nights, stepbrothers, the other guys, the big short, Vice. We're here

0:44.8

to talk to him today about his film Don't Look Up, released on Netflix in 2021, probably the most

0:53.0

talked about film of that year, a multi-academy award nominee,

0:58.0

that divided the critics in half called shrill or unfun by some of them, and by others,

1:06.6

including Current Affairs, one of the great satires of our time.

1:11.8

Adam McKay, so nice to have you here on current affairs.

1:15.1

Thank you, Nate.

1:16.5

Thanks for having me.

1:19.3

Well, I, you know, it was so funny.

1:22.3

When Don't Lookup came out in 2021, I stupidly didn't want to see it because I had read reviews of it that described it as an obvious and heavy-handed satire. And I don't like obvious and a heavy-handed satire. So I thought, well, I'll give that a miss. But then it was Christmas and my parents and I needed something to watch. We watched it don't Look Up. And I realized immediately that not only was it not obvious, but the reason that the critics were

1:49.8

saying it was obvious was that they'd missed a lot of things, which clearly proved that those

1:54.6

things weren't obvious. But perhaps if people, it's three years ago, so perhaps you could

1:59.7

introduce us, reintroduce us to the film

2:02.5

in case people haven't watched it in a little bit. It's a pretty good representation of how

2:11.0

I was, and sadly, still am engaging with the world where it toggles between a broad farcical comedy and, you know, towards the end of the film becomes a really dark tragedy.

2:32.0

And those seem to be the two kind of genres that were living in these days.

2:42.3

And so I knew that I wanted to make a big film that was a world movie, you know, because of Netflix, we had this opportunity to go on

2:56.2

this platform that's never existed where crazy amounts of people can see a movie in all kinds

3:03.6

of different countries. So the big thing was, can you do comedy that plays in Nigeria, Vietnam, Brazil, the

...

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