4 • 1K Ratings
🗓️ 16 May 2019
⏱️ 36 minutes
🧾️ Download transcript
Click on a timestamp to play from that location
0:00.0 | Hey, I'm Brian Hyatt, and this is Rolling Stone Music Now. |
0:08.2 | I'm in the studio with Amy X-Wang, our music business reporter for Rolling Stone, |
0:12.4 | and Amy wrote a great article recently about sort of the history and impact of garage band on music. |
0:18.6 | Garage Band being of course the Apple program that started on computers and then went to iOS so you can have it on your |
0:26.7 | phone, you can have it on your iPad, and it's democratized music making in a really impactful |
0:32.0 | way for better and for worse. But before we get to that and |
0:35.4 | hi Amy welcome to show. Hey Brian thanks for having me. Absolutely and |
0:38.7 | before we get to that I thought we'd back up and talk a little bit about the history of home recording because it obviously started well before garage band. |
0:47.5 | I think one of the first people to actually record at home was a Les Paul, the jazz artist and guitarist who paid |
0:55.1 | $10,000 in the 40s for one of the earliest eight-track reel-to-reels and he |
1:01.2 | pioneered a lot of overdubs, basically overdubbing himself. |
1:04.8 | He was one of the first people to do that and I think it's intriguing to compare a $10,000 |
1:10.7 | giant machine in your house to the ability to do that on your phone anywhere. |
1:15.4 | That says a lot about where we've come. |
1:17.6 | And then so it continued as something for a tiny minority of well-off musicians because there was no real home |
1:25.7 | recording equipment not really someone like Pete Townsend as early as 64 or so had |
1:30.8 | multi-track tape machines in his house and you can hear on the album |
1:34.8 | Scoop and its sequels where he released the demos he was making for the |
1:38.7 | who and he was again like a kind of a pioneer of every band and then you know first it started as |
1:44.9 | people in bands making demos that were then sort of brought to life by other |
1:50.0 | musicians and now there is the distinction between demos and a |
1:53.7 | release recording has been demolished because basically you know you can make |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Rolling Stone | Cumulus Podcast Network, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Rolling Stone | Cumulus Podcast Network and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.