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Hit Parade: Champagne Supernova Edition Part 1

Slate Daily Feed

Slate Podcasts

News, Business, Society & Culture

41.1K Ratings

🗓️ 13 May 2023

⏱️ 67 minutes

🧾️ Download transcript

Summary

In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged ’70s art-punk as ’90s pop. But with rare exception, these hits didn’t translate in America. There was no Third British Invasion in the ’90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy’s on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Alex met Sam at nursery. They were first loves. They built forts together, shared sandwiches in high school and were each other's first kiss.

0:12.0

They were the dream couple until Sam got into EDM music.

0:18.0

While Alex enjoyed folk, first loves are kind of like your current account. If they aren't working for you anymore,

0:26.5

maybe it's time to switch with the current account switch service.

0:30.5

Want to make the most of festival season?

0:40.5

Scan your next Coca-Cola for a chance to win epic once in a lifetime festival experiences and much, much more.

0:48.5

Don't fear missing out. Festival season is on us.

0:52.5

Coca-Cola and Coca-Cola Zero promotional packs participate subject to availability. Look for on-pack info and co-cap for how to enter and tease and cease. Entrance must be 18 plus.

1:00.5

Hey there, hip parade listeners. What you're about to hear is part 1 of this episode.

1:06.5

Part 2 will arrive in your podcast feed at the end of the month.

1:10.5

Would you like to hear this episode all at once? The day it drops? Sign up for Slate Plus. It supports not only this show, but all of Slates acclaimed journalism and podcasts.

1:21.5

Just go to Slate.com slash hip parade plus. You'll get to hear every hit parade episode in full the day it arrives. Plus, hit parade the bridge.

1:32.5

Our bonus episodes with guest interviews, deeper dives on our episode topics and pop chart trivia.

1:39.5

Once again, to join that Slate.com slash hit parade plus. Thanks and now please enjoy part 1 of this hit parade episode.

1:51.5

Welcome to hit parade, a podcast of pop chart history from Slate magazine about the hits from coast to coast.

2:09.5

I'm Chris Malampi, chart analyst, pop critic and writer of Slate's Why Is This Song No. 1 series. On today's show, 28 years ago, in May of 1995, this single connection by the band Elastica rose to No. 2 on billboards modern rock tracks chart.

2:32.5

The song was ubiquitous on US alternative radio at the time and even crossing over to certain top 40 pop stations. It had a danceable beat and a bit of punk attitude.

2:46.5

To American listeners, Elastica were just the latest new band to offer catchy punk adjacent rock at the peak of alternative nation.

3:06.5

The band would even join the traveling Lollapalooza festival that summer. But a few things about this band and this song sailed over the heads of my fellow yanks. For one thing, connection was a cheeky homage to previous waves of British art punk.

3:35.5

For another thing, Elastica's front woman was at that time the object of fascination in the British tabloids for her musical power couple relationship with the lead singer of another leading UK band, Blur.

4:05.5

And finally, as only the most anglophilic Americans were aware in 1995, bands like Elastica and Blur, as well as Blur's rivals, a band called Oasis, were spawning a total craze on the charts in their homeland, a mania that was defiantly English. They called this madness Britpop.

4:35.5

Just last month, on hip parade, we talked about two previous waves of British rock that took over our charts in America, the British invasion of the 1960s.

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