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Sentimental Garbage

His Dark Materials: The Subtle Knife with Ella Risbridger

Sentimental Garbage

Justice for Dumb Women

Queer, Unknown, Camp, Movies, Culture, Literature, Sex And The City, Society & Culture, Tv, Musicals, Arts

4.81.6K Ratings

🗓️ 7 August 2025

⏱️ 100 minutes

🧾️ Download transcript

Summary

Lyra's back and she inexplicably has a new friend straight out of a Jacqueline Wilson novel. Phillip Pullman's The Subtle Knife tackles parallels worlds, god's existence, quantum physics, skull-drilling, and funding applications – and somehow is the greatest book for children over the age of eleven of all time.



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Transcript

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0:00.0

Hello and welcome to magical garbage, the podcast where our research is at risk of losing funding.

0:11.0

My name is Karen Hedanahue and I'm the gang of roving children, terrorizing a cat.

0:15.2

And joining me is the ex-none with a zest for life and a hunger for the truth.

0:19.3

It's Ella Rizbridgeer.

0:20.2

Hi.

0:20.8

How can all three of those things exist in the same novel for 11-Up?

0:27.2

That's what I ask of you.

0:29.0

How is this book real?

0:30.4

And how is it actually for children?

0:32.5

I guess the main questions are, how is this book real?

0:34.7

And how did this book get published?

0:36.4

And do you think you'd be

0:38.0

able to get away with it today? Some big questions. I'm just starting us off with the light ones.

0:43.4

Impossible to tell. I know the thing about Philip Pullman is that he's very old now and there's no

0:47.8

getting around that. And so like he's been answering questions about his dark materials for so long

0:53.1

that I think there's some kind of,

0:56.6

there's kind of an interview sickness that falls over creators who've been talking about the same

1:00.8

thing for a long time, which is that they, they often, they build a little myth or they build

1:04.9

a kind of a series of stock answers that they just kind of sort of wheel out to sort of protect their own

1:12.4

mental fortitude. And so it's gotten to the point where I'm no longer interested in hearing

1:16.4

from Philip Pullman about how he made these books. What I'm fascinated in hearing about is the people

1:20.8

who behind the scenes, like I would love to talk to the editors and publicists who were dealing

...

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