4.8 • 857 Ratings
🗓️ 9 October 2019
⏱️ 51 minutes
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0:00.0 | I'm Christopher Leiden, host of Open Source, and today the fill-in guest host of The Lonely |
0:06.0 | Pallet, while Tamar is on hiatus. |
0:08.9 | We've just recently joined forces with Tamar in the Hub-N-Spoke Alliance, and we wanted to introduce ourselves to you |
0:16.0 | with this recent episode of Open Source, in which Tama and I had the pleasure of conspiring. |
0:22.2 | From the Museum of Fine Arts to the Gropius House in Lincoln, Massachusetts, |
0:26.8 | to the studios at W-B-U-R in Boston, we're exploring the less is more aesthetic of Germany's Bauhaus on its 100th anniversary. |
0:37.0 | And I'm thrilled to share this episode with all you art connoisseurs one painting at a time out there in podcast land. We loved working together. |
0:47.0 | Hub and Spokes. Audio Collective. I'm Christopher Lighten. This is open source. |
0:57.0 | Bow House, meaning building House, was the name of the most influential art school in the history of the man-made environment. |
1:10.0 | It was born just a hundred years ago in Weymah, Germany's old-time cultural capital, |
1:14.9 | seat of the shaky Weymah Republic after World War I. |
1:18.4 | Bowhouse, the school, lasted only 14 years, till Hitler's Nazis suffocated it in 1933. |
1:25.6 | Yet Bauhaus, the model of design, some would say, |
1:29.4 | has ruled the world for a century now. |
1:32.1 | Less is more Bauhaus, seedbed of modernism, signature of a brilliantly austere |
1:37.7 | taste in everything. We make our own soft landing this hour in the Bauhaus realm, at the house outside Boston |
1:45.4 | that the Bauhaus founder, Walter Gropius, built for himself at the start of his second lifetime |
1:51.6 | in America. We're on a hillside in Lincoln, Massachusetts, half a mile |
1:56.1 | from Walden Pond. The Gropia's house from 1938 is pure Bow house in that driving up, wonder is this the house or the giant white cardboard |
2:06.6 | carton the house was delivered in the shock on entering is the warmfy, modest feeling of natural materials, like to cork floors, and then |
2:17.0 | the light passing through. |
2:19.5 | Wendy Hubbard walked us in. It's in. It's a... |
... |
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