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The Daily Poem

Henry Wadsworth Longfellow's "The Fire of Drift-wood"

The Daily Poem

Goldberry Studios

Education For Kids, Arts, Kids & Family

4.6729 Ratings

🗓️ 20 August 2025

⏱️ 6 minutes

🧾️ Download transcript

Summary

Nothing feels better and hurts worse than nostalgia. Happy reading.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Transcript

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0:00.0

Welcome back to The Daily Poem, a podcast from Goldberry Studios.

0:08.5

I'm Sean Johnson, and today is Wednesday, August 20th, 2025.

0:13.3

Today's poem is by Henry Wadsworth Longfellow, and it's called The Fire of Driftwood.

0:19.9

We featured this poem on the show before, but it's been a good four or five years, maybe more.

0:26.4

In many ways, it is classic Longfellow.

0:29.6

There are these melancholy themes, meditations on loss and on old age, but it's a really cleverly constructed poem, the way that the governing metaphor

0:43.1

shifts as the poem builds. At first, the visual emphasis is upon structures, houses, and buildings.

0:52.8

And then that gives way to a discussion of the behavior of

0:57.0

hearts and the metaphor of paths and roads that split and diverge. So we go from stationary

1:07.1

structures to avenues and paths by which one travels. And then from these narrow,

1:16.5

linear paths, we move on to the paths of the sea, which are wide, broad, almost unlimited,

1:25.4

which seems to guide even the reasoning or the reflection of the speaker,

1:30.8

because it's at that point he begins to fully accept the many partings of ways, the many

1:38.3

ventures embarked upon that will never come back together, that will never come to fruition, even about which

1:46.6

one may never hear a final report. And then the poem settles into this final image of the

1:56.9

glowing fire, like the driftwood there on the shore, there is this fire that burns within

2:04.7

the speaker. Whether the speaker is more like a house or more like a ship, they have one thing

2:12.4

in common, and that is fire inside them will slowly consume them.

2:24.7

And so it seems fitting that that is the image, the closing image, as the speaker perhaps settles.

2:26.8

His mind has wandered.

2:37.9

It is ranged far and wide, but now comes back home to contemplate the ultimate and inevitable end of all things.

2:47.1

But it's also circling back to the warmth and comfort, camaraderie even, associated with this fire at the beginning of the poem.

...

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