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0:00.0 | This is the BBC. |
0:02.0 | Thanks for downloading this episode of In Our Time. |
0:05.0 | There's a reading list to go with it on our website. |
0:07.0 | And you can get news about our programs if you follow us on Twitter at BBC In Our Time. |
0:12.0 | I hope you enjoyed the programs. |
0:14.0 | Hello, Henry Gibson's tragedy is a remodeling the most performed plays in the world, |
0:18.0 | second only to the Zavshagspir. |
0:20.0 | Among them, adults house the wild, duck, head of garbler and ghosts. |
0:25.0 | His characters aren't kings, princes or emperors, |
0:27.0 | but bank managers, doctors, photographers and above all their wives and daughters |
0:32.0 | often trapped in their roles in the new Norwegian bourgeoisie. |
0:36.0 | The dramas larger take place in city rooms or landscapes, not castles. |
0:40.0 | And explore topics that cause the sensation when first performed in the late 19th century |
0:44.0 | and still provoke discussion today. |
0:46.0 | Could, should a mother abandon her children? |
0:48.0 | What if a husband, in fact, is a wife or a syphilist? |
0:51.0 | What if a woman has an affair with an older man whom she suspects is her father? |
0:55.0 | With me to discuss the works of Henry Gibson are Torrey Rem, Professor of English Literature, |
1:00.0 | at the University of Oslo. |
1:02.0 | Kirsten Shepherd Bar, Professor of English and Theatre Studies, |
1:05.0 | and Tutorial Fellows in Catherine's College at the University of Oxford. |
1:08.0 | And Diana Burge, Professor of English Literature and Provise Chanceurper, |
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