4.5 • 942 Ratings
🗓️ 31 October 2015
⏱️ 19 minutes
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0:15.0 | What's up everybody? Welcome back to the show. In this video I want to take a look at what is probably one of the most important photography monographs ever produced and of course this is Henri Catee Ebrissons the decisive moment. This was produced in the early 1950s and this version is actually the reissue version that Stitel did earlier this year. Stitel, I think, is one of the most |
0:18.7 | important book publishers And its original pressing only had 10,000 copies and it is really hard to find now. |
0:35.2 | So I think it's really cool that Stuyall reissued this. |
0:37.4 | The reissue is fantastic. |
0:39.3 | And what I want to do in this video today is take a look at this and show you guys what I believe makes this book |
0:45.5 | as Robert Kappa called it a Bible for photographers and it really is impressive and |
0:50.0 | quite amazing. The book comes with the original Matisse artwork. It kind of looks like it did when it was originally released. |
0:57.0 | And it comes actually in two parts when you take the slipcase off. You get the reissue of the book and that's this part right here and then you also get this little |
1:06.7 | you know pamphlet book which is sort of behind the scenes and I think in a lot of ways it's |
1:11.3 | really cool because it acts as a little bit of a |
1:13.1 | lynch pen in terms of understanding the importance of this book and learning a lot of |
1:19.0 | behind the scenes about it too which actually is quite fascinating. The book came about as a collaboration. |
1:25.0 | Henri Cartier Boussaint had attempted to do several books prior to this book's release. |
1:30.4 | In fact, there was a project with Jean Coo that never was realized and there were two others. |
1:35.4 | And then finally, the decisive moment was the first one that actually came about. |
1:39.2 | And it began, the whole book is largely a collaboration among a bunch of people but the book |
1:44.0 | actually initially was a collaboration between Katee Vissant and a French |
1:48.2 | designer who went by the name Tiriad. Tiriad is seen in this photo here holding up the original artwork and I'll talk about some of this in a minute. |
1:56.0 | Now Terriad had been publishing a magazine called Verve, which was an art publication at the time. |
2:02.0 | And Henri Cartier-Bissant had a really interesting career in that he |
2:06.2 | he moved between the world of photojournalism which he was firmly committed to and |
2:11.7 | also the world of fine art. |
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