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In Our Time

Hell

In Our Time

BBC

History

4.69.2K Ratings

🗓️ 21 December 2006

⏱️ 28 minutes

🧾️ Download transcript

Summary

Melvyn Bragg and guests discuss hell and its representation in literature and the visual arts, through the ages from Ancient Egypt to modern Christianity. Why do certain religions have a Satan figure and others don’t? And why did hell shift from the underworld to here on earth in 20th Century representations?A fiery vault beneath the earth or as Sartre put it, other people - it seems our ideas of hell are inevitably shaped by religious and cultural forces. For Homer and Virgil it’s a place you can visit and return from, often a wiser person for it. With Christianity it’s a one way journey and a just punishment for a sinful, unrepentant life. Writers and painters like Dante and Hieronymus Bosch gave free rein to their imaginations, depicting a complex hierarchical world filled with the writhing bodies of tormented sinners. In the 20th century hell can be found on earth in portrayals of war and the Holocaust but also in the mind, particularly in the works of TS Eliot and Primo Levi. So what is the purpose of hell and why is it found mainly in religions concerned with salvation? Why has hell proved so inspirational for artists through the ages, perhaps more so than heaven? And why do some ideas of hell require a Satan figure while others don't?With Martin Palmer, Director of the International Consultancy on Religion, Education and Culture; Margaret Kean, Tutor and Fellow in English at St Hilda’s College, Oxford; Neil MacGregor, Director of the British Museum.

Transcript

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0:00.0

Thanks for downloading the in our time podcast for more details about in our time and for our terms of use

0:05.4

Please go to bbc.co.uk forward slash radio for I hope you enjoy the program

0:11.5

Hello, and today we discussing the history of hell a fiery vault beneath the earth a frozen tomb or a sartre famously declared other people

0:20.7

Our ideas of hell of the underworld are shaped by religious and cultural forces for Homer and Virgil

0:26.3

It's a place you can visit and return from often a wiser person for it with Christianity

0:30.4

It's mostly a worn-way journey and a just punishment for a sinful unrepentant life

0:35.4

Riders and painters like Dante and Hiron Mishbosh depict a complex hierarchical world filled with the writhing bodies of

0:41.3

To minted sinners in the 20th century hell can be found on earth in portrayals of war and holocaust

0:46.7

But also in the mind particularly in the works of T.S. Eliot and Premo Levi

0:51.0

So what's the purpose of hell and why is it found mainly in religious concern with salvation?

0:55.6

Why is hell proved so inspirational for artists through the ages rather more so than heaven and why does some ideas of hell require a satan figure while others don't?

1:04.2

Joining me to discuss hell is Martin Palmer director of the International Consonancy on Religion, Education and Culture

1:10.7

Margaret Keane tutor and fellow in English. It's an Hilders College Oxford and Neil McGregor director of the British Museum

1:17.9

Martin Palmer, can we start by looking at the very early ideas of hell or the underworld? How do the Egyptians view it?

1:23.8

Well, they view it essentially as something not terribly much to worry about

1:27.8

Essentially until you get the salvationary religions the religions that essentially offer you a chance to make a choice as to which religion you will follow

1:37.0

You are brought up in your tradition and there is a slight element in the Egyptian tradition of saying

1:43.1

You've got to behave because if you don't you could go into the jaws of the crocodile

1:47.4

Hippopotamus creature Amit and be devoured but in fact nobody ever did or as far as we know

1:54.1

Nobody ever did in terms of the mythology

1:56.6

You went for judgment after your death and if your heart was lighter than the feather of truth in the scales of justice

2:04.7

You were welcomed by Osiris the god of the underworld into the world of the gods and you had really a very nice time

...

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