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Desert Island Discs

Heidi Thomas, screenwriter

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.4 • 13.7K Ratings

🗓️ 15 December 2019

⏱️ 53 minutes

🧾️ Download transcript

Summary

Heidi Thomas is a screenwriter and playwright best known for Call the Midwife. The BBC TV series, which began in 2012, was originally a six part adaptation of a trilogy of memoirs by Jennifer Worth, recalling her experiences as a midwife in the East End of London. It was an immediate hit, with 10 million viewers a week, becoming one of BBC One’s most popular dramas and a fixture in the Christmas schedules. Born in 1962, Heidi Thomas grew up as the eldest of three children in the leafy suburbs of Liverpool. Her father ran a drain cleaning business while her mother looked after the children, including Heidi’s youngest brother David, who was born with Down’s Syndrome. Heidi studied English at Liverpool University, supporting herself by selling ladies’ underwear at a department store. During a bout of viral hepatitis, which left her unable to apply for jobs when she graduated, she entered a competition for new plays and won a prize for her debut, All Flesh is Grass. During the production,of her next play, Shamrocks and Crocodiles, she met the actor Stephen McGann. They went on to marry, and many years later Stephen was cast as the GP in Call the Midwife. After nearly a decade in the theatre, Heidi made the leap into television, first writing on existing series such as Soldier, Soldier and Doctor Finlay. Her other screenwriting credits include Lilies, based on her grandmother’s recollections, and adaptations of classic novels including Elizabeth Gaskell’s Cranford, Noel Streatfeild’s Ballet Shoes and Louisa May Alcott’s Little Women. DISC ONE: You Belong to Me by The Duprees DISC TWO: Penny Lane by The Beatles DISC THREE: Gentle on my Mind by Dean Martin DISC FOUR: Who Will Sing Me Lullabies? by Kate Rusby DISC FIVE: The First Time Ever I Saw Your Face by Roberta Flack DISC SIX: Finishing The Hat by Josh Groban DISC SEVEN: Agnus Dei from Requiem, op. 48, conducted by Nigel Short and performed by London Symphony Orchestra Chamber Ensemble and Tenebrae DISC EIGHT: Both Sides, Now by Joni Mitchell BOOK CHOICE: London Labour and the London Poor by Henry Mayhew LUXURY ITEM: A hot water bottle CASTAWAY'S FAVOURITE: Both Sides, Now by Joni Mitchell Presenter: Lauren Laverne Producer: Sarah Taylor

Transcript

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0:00.0

BBC Sounds Music Radio Podcasts

0:04.7

Hello, I'm Lauren LeVern and this is the Desert Island Disks Podcast.

0:08.4

Every week I ask my guests to choose the eight tracks, book and luxury they'd want to take

0:13.1

with them if they were cast away to a desert island. This is an extended version of the

0:17.9

original Radio 4 broadcast and for right reasons the music is shorter than the original broadcast.

0:24.4

I hope you enjoy listening.

0:30.3

Music

0:46.8

My cast away this week is the screenwriter Heidi Thomas. She's the award-winning creator of

0:51.9

the much-loved long-running medical drama, Call the Midwife, The Revived Obstares downstairs

0:57.3

and adaptations of classics including Madame Boveray, Little Women and Nulls Stretfield

1:02.0

Ballet Shoes. While she may have never written a turkey she certainly accompanied the

1:06.2

digestion of more than a few. She's known as the Queen of Christmas TV. Call the Midwife is now

1:11.6

a festive staple. Her skill as a writer is evidenced by the devotion of millions of fans to a

1:17.3

program that on paper at least seemed unlikely to be a hit with all the family, putting the realities

1:23.2

of birth for working-class women in the 1950s in the spotlight with a largely female cast,

1:28.1

most of whom were nuns, was a gamble, but it paid off to the tune of 9 million viewers

1:33.2

and eight series so far. Not only has she created a show that families watch together,

1:38.1

it's one that doesn't dock the realities of its subject matter. Abortion, the lidamide and domestic

1:43.3

and sexual violence have all featured, plus of course more silicon umbilical chords than you could

1:48.4

shake a pair of four-seps at. Asked about Labour of the Television kind, she says,

1:53.5

to be a successful television writer, you need the sensitivity of an angel and the stamina of a

1:58.8

mule. Heidi Thomas, welcome to Desert Island Disps. Hello. One of the remarkable things about the

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