Haris Zambarloukos - Cinematographer

Team Deakins

James Ellis Deakins

Tv & Film, Filmlighting, Deakins, Movies, Filmmaking, Production, Film, Cinematography, Film Interviews

4.8 • 1.4K Ratings

🗓️ 13 October 2021

⏱️ 77 minutes

🔗️ Recording | iTunes | RSS

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Summary

EPISODE 158 - HARIS ZAMBARLOUKOS - Cinematographer

Team Deakins has a great conversation with cinematographer Haris Zambarloukos (MAMMA MIA!, SLEUTH, MR IN-BETWEEN, ARTEMIS FOWL) in this episode. Haris shares his experiences working with director Kenneth Branagh, Paul Sarossy, and Phyllida Lloyd. Haris talks about learning the steps of observation, contemplation, and action during his time in film school at St. Martins and about learning how to contribute to the feeling of a film while studying at AFI. We share many stories about our dear friend Conrad Hall and Haris beaks down how he shot Steven Knight’s LOCKE in eight days. We discuss the idea of choosing a DP with whom a director could grow with or someone who could hold his hands and guide him as well as having trust in a director's ability to have an impact and to follow them every step along the way. Don't miss it!

RECOMMENDED EPISODE VIEWING: Locke

Transcript

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0:00.0	Hi, and welcome to the Team Deakin's podcast.
0:08.0	This podcast is a dialogue between Roger and James Deakin's often joined in the conversation
0:13.4	by a guest.
0:15.2	It's very informal and we never know where it will go.
0:19.2	We're connecting through Zoom, so bear that in mind when you hear the audio.
0:24.1	If you'd like to submit a question or topic, please do so by emailing podpod.cod at RogerDeakin's.com.
0:35.6	Today we're speaking with a cinematographer.
0:38.1	He's a frequent collaborator with Kenneth Branagh and his titles include Mamma Mia, Locke,
0:44.1	Denial, and Murder on the Orient Express.
0:47.2	We're pleased to welcome Harris Samberluchus with us today.
0:51.2	Harris, thank you for doing this.
0:53.4	This is great.
0:54.4	It's lovely to see you both.
0:56.4	This seems to be the only way with COVID that we could actually have a get-together.
1:03.0	Yeah.
1:04.0	Really.
1:05.0	Crazy.
1:06.0	We'd like to start with asking how you got to where you are today.
1:09.6	What was your path?
1:10.6	Did you always think this is what you wanted to do or did you go down another path?
1:15.0	What was your travel?
1:18.1	Interesting question.
	...

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