4.6 • 729 Ratings
🗓️ 1 March 2021
⏱️ 9 minutes
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0:00.0 | Welcome back to The Daily Poem. I'm David Kern, and today is Monday, March 1st, 2021. |
0:06.5 | Today's poem is by Richard Wilbur, because Richard Wilbur was born on this day in 1921, |
0:12.6 | which means, of course, that today would have been his 100th birthday. He died on October 14th, 2017, |
0:18.5 | and is one of the greatest of all American poets. He was appointed the |
0:22.6 | second poet laureate consultant in poetry to the Library of Congress in 1987, and he received |
0:27.8 | the Pulitzer Prize for Poetry twice in 1957 and 1989. He is one of my very favorite poets, |
0:35.3 | one that you have heard from a time or two here on the podcast. |
0:39.7 | And today what I want to do is share three different Richard Wilbur poems with you. |
0:44.4 | And I want to share some comments from an essay that another poet James Matthew Wilson wrote |
0:48.3 | about Richard Wilbur back when Wilbur passed away. |
0:51.5 | Wilbur is, as I said, one of my favorite poets, but he is, although he's a poet that I'm |
0:56.3 | going to read until I die, I am confident of that, he is probably one of the poets that I |
1:01.9 | love most that I feel least capable of speaking about. |
1:05.9 | And what I want to do today is read two of his earlier poems from his, probably his greatest collection, which was called Things of This World and was published in 1956. |
1:16.6 | And then I want to read one poem from his more recent work. |
1:21.6 | And when I do that, I'm going to share the comments that James Matthew Wilson wrote. |
1:26.6 | So first what I'm going to do is read the two early poems |
1:29.3 | from that 1956 collection, and then I'll read the comments from James Matthew Wilson, and then I'll read |
1:34.8 | the later poem. So up first is Piazza di Spagna early morning. It goes like this. |
1:44.0 | I can't forget how she stood at the top of that long marble stare amazed, and then with a |
1:50.7 | sleepy pirouette went dancing slowly down to the fountain quieted square, nothing upon her |
1:55.9 | face but some impersonal loneliness. |
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