4.7 • 658 Ratings
🗓️ 24 November 2021
⏱️ 132 minutes
🔗️ Recording | iTunes | RSS
🧾️ Download transcript
When Hannah Malcolm was approached to write a book on climate grief, she chose, instead, to edit a book compiling voices from across the global church. The resulting picture is an extraordinary collage of very different experiences, all of which begin to suggest the many different ways in which everything is connected.Â
In this conversation we glimpse the church as something far richer and more diverse than we thought; we discover the marks of colonialism and extractive capitalism everywhere; and we explore how the crises of the present is drawing us back to land, to one another, and to our own bodies.
After the interview, Nomad hosts David Blower and Anna Robinson reflect on how Hannah’s book might shape their own activism and faith journey.Â
Interview starts at 12m 16s
The creation of Nomad’s thoughtful, ad-free content is entirely funded by our equally thoughtful and wonderful listeners. By supporting us, you gain access to Nomad’s online spaces—like the Beloved Listener Lounge, Enneagram Lounge, and Book Club—as well as bonus episodes such as Nomad Contemplations, Therapeutic Reflections, and Nomad Revisited.
If you’d like to join our lovely community of supporters, head over to our Patreon page. You might even be rewarded with a Nomad pen or our coveted Beloved Listener mug!
If a monthly commitment isn’t possible right now, a one-off donation is always deeply appreciated—you can do that here.
Looking to connect with others nearby? Check out the Listener Map or join our Nomad Gathering Facebook group.
And if you're up for sharing your own story, we regularly post reflections from listeners on our blog—all with the hope of fostering deeper understanding, connection and supportive relationships. If you'd like to share your story on the blog, contact us for more information here.
Click on a timestamp to play from that location
0:00.0 | The |
0:07.0 | The Welcome back to Nomad Podcast. I'm Anna Robinson and this is... |
0:42.0 | David Benjamin Blow, hello. Hi, David. How are you doing? I'm all right. Not bad. How are you? |
0:48.7 | Yeah, I'm all right. I'm a little weary, if I'm honest, but end of the day. But I'm happy to be here to chat to you for the second time. |
0:56.5 | Yeah, second time in a week or something, isn't it? Yeah. For us, not for the listener, of course. |
1:01.6 | Done well that way, does it? But yeah, there we go. Yeah, I'm actually inspired by our last chat. I'm stood up today on Jim's movable desk. Oh, you've got the standing desk happening. I've got the |
1:12.6 | standing desk to give me a bit of a |
1:14.1 | boost this evening to, yeah, keep me alert. |
1:18.7 | And I, although I talked about having a standing desk last time, |
1:23.0 | I think I did, did I? You did? Well, yes. Was it a makeshift sanding desk? |
1:27.4 | Yeah, well, yeah, it's just a |
1:28.5 | mantel piece actually over a fireplace, isn't there? Well, I'm sat down, actually, so. |
1:35.1 | So we swapped over. Let's see if it makes any difference. Who have you been chatting to this |
1:41.0 | episode? Why don't we start there? So this is an interview with Hannah Malcolm. |
1:46.8 | Hannah Malcolm, she was approached by SCM, the publisher, to write a book about climate grief, |
1:54.3 | and she got back to them and said that she would rather edit a book where she collects up |
1:59.9 | stories of climate grief from very |
2:02.9 | different sorts of places. So she did that. She put a really powerful book called Words for a |
2:09.9 | dying world together. And I met her because I pitched a piece for it. So I've got a little |
2:15.6 | contribution in that book. |
2:18.9 | Oh, wow. |
2:19.5 | Yeah. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Tim Nash, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Tim Nash and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.