This is the Gamerist of Jobs Conference Call for Wednesday, May 3, 2020.

I'm your host Amanda Nilton, and today

for episode 864, I've got with me to talk about so many games, my guests, Rich. Oh, no, no, my

co-host, Rich the Joy Conjure, Love Joy. Hello. I could be a guest and a co-host. And considering, like, what the main game du jour that we're going to be talking about is, it's very funny that this podcast is just 24 hours shy of releasing on May 4th. Also joining us, special guest, Beto Obrin from Radical Evolution.

Thanks again for joining us.

Yeah, thank you so much. And only 48 hours then out of the revenge of the fifth, Rich.

So just remember that as well.

Oh, my gosh.

For all the red lightsabers out there in the world.

So as the boys have teased, we may be talking about some popular subjects coming up this week as Star Wars Jedi Survivor.

And on the tales of that, our topic for today is going to be IP versus OG, so intellectual property versus the

original game. Now, before we get into that, though, we're going to talk about what we've been

playing. So I'm going to go ahead and take it over to you, Rich, because you've been playing

labyrinth of Zengu. Tell us about that.

Yeah, so I know we're going to save the Star Wars stuff for after this, but I do think

Labyrinth of Zengetsu is worth checking out. I'm playing it on Switch. It is a dungeon crawling

RPG that has this artistic style that is kind of based on this

ink block Japanese artistic style.

It's gorgeous.

It is a game that uses like the black and white of ink, but it has dashes of color that it uses

very, very effectively because it's so sparing in its use. Now, it is a dungeon RPG, which

means that it is in the in line with an old school classic wizardry game. When you start this

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