Guys and Dolls: Offenbach's The Tales of Hoffmann
Aria Code
WQXR & The Metropolitan Opera
4.8 • 2.6K Ratings
🗓️ 7 July 2021
⏱️ 40 minutes
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Summary
Transcript
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| 0:00.0 | So Hoffman is an utterly human statement because we're dealing not only with the successes, |
| 0:11.8 | we're dealing also with the tragedies of human life. |
| 0:17.5 | From WQXR and the Metropolitan Opera, this is Ariacod. |
| 0:21.2 | I'm Rianne Giddens. |
| 0:23.3 | As she begins to sing, she's kind of like a baby learning how to walk. |
| 0:28.3 | And she's discovering what she's capable of and it's thrilling to her. |
| 0:32.9 | Every episode, we take apart an aria to see how it's wired. |
| 0:37.0 | Today, it's Les Razzaux Donna Charmieux from the Tales of Hoffman by Jacques Offenbach. |
| 0:43.0 | We can't think clearly when evolutionary forces are driving us in a certain direction. |
| 0:50.3 | I wish we were thinking kicks in no matter who you are. |
| 1:04.6 | This show is usually about the amazing things human voices can do. |
| 1:09.5 | But today, we're going to talk about the robots in our lives. |
| 1:13.4 | And I'm not just talking about Alexia. |
| 1:16.8 | Now, robots and machines can't sing opera. |
| 1:23.4 | But there is one exception. |
| 1:25.8 | Her name is Olympia and she comes from the Tales of Hoffman or Lecondolphman. |
| 1:31.5 | In the opera, Hoffman is a poet and he's recounting three of his biggest dating disasters. |
| 1:38.3 | The first was with Olympia. |
| 1:41.2 | Now, Olympia is an automaton, a wind-up doll in the form of a woman, but Hoffman's not |
| 1:47.5 | clued in. |
| 1:48.5 | He's wearing these special glasses that make her seem real and he's head over heels. |
| 1:54.4 | Olympia fans the flames of his infatuation with her incredible acrobatic aria, Les Razzaux |
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