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The Business

Gustavo Dudamel and Alberto Arvelo on ‘The Liberator’

The Business

KCRW

Tv & Film

4.6676 Ratings

🗓️ 20 September 2014

⏱️ 29 minutes

🧾️ Download transcript

Summary

Filmmaker Alberto Arvelo and LA Philharmonic conductor Gustavo Dudamel sit down with Kim Masters at the Walt Disney Concert hall to talk about the special role of music in the new Simón Bolívar biopic, The Liberator.

Transcript

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0:00.0

From KCRW and KCRW.com, I'm Kim Masters, and this is the business.

0:06.7

To write music, to put a note in an image, it's very difficult, because you can destroy that.

0:14.6

And also, you can change completely the motion of a moment of the movie with one note.

0:21.9

Charismatic Los Angeles Philharmonic conductor Gustavo Dutamel confronted a new challenge

0:27.2

when he composed a film score for his friend, director Alberto Arvello.

0:32.0

Both men are our guests today explaining the critical role of music in the new Simone

0:36.2

Bolivar biopic, The Liberator.

0:38.9

But first on the Hollywood news banter, FX falls out of love with its Charlie Sheen experiment

0:44.0

and CBS Benches Rihanna. Stay tuned, it's the business from KCRW.

1:00.7

I am joined by my buddy and banter, Michael Schneider of TV Guide magazine.

1:01.3

Hello, Michael.

1:02.0

Hello, Kim.

1:06.2

So, the fall television season, we've talked about it before, but now it's here.

1:07.5

We're starting to see some of the shows.

1:08.9

Get onto the schedules.

1:11.2

Your favorites, if you have them are coming back,

1:18.1

and the new ones. We've seen Fox with Red Band Society and NBC sampling The Mysteries of Laura,

1:25.4

a show that the critics really, really hated. This is a lady who's a cop and a mom of twins.

1:29.5

She's a mom, she's a cop, she's a mom. But I think what we've seen so far is other than football, which by the way, Thursday night football came in roaring as we expected on

1:34.5

CBS. I don't think we're going to see much noise. The needle's not going to move much this fall.

1:39.6

And that's partly because it's really hard to look at day of ratings anymore. People just

1:44.0

don't watch TV live the way they once did, which is why the networks are really trying to convince us to wait, take a beat, don't look at those first night numbers, wait a couple days, see how the DVR and VOD numbers do, and then report how the shows are doing.

...

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