4.8 • 1.4K Ratings
🗓️ 7 February 2021
⏱️ 69 minutes
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EPISODE 87 - GREGOR WILSON - Production Manager
Team Deakins speaks with Gregor Wilson, (JUSTICE LEAGUE, PRISONERS, MAN OF STEAL), and looks closely at the role of production manager. Gregor tells us that one of the first important things he does is hiring the right crew and working to lock in the budget. We learn about Bond companies and the function they fulfill. Gregor shares his experience on Prisoners - his witnessing the relationship between Denis and Roger, his surprise at the cable costs of the camera crew, and the role the weather played in the shooting of the film. He also talks about mistakes that can be made in his role, the importance of stress management, and dealing with the long hours of production. We also delve into keeping up with new technology and dealing with rebates. A deep dive into the wide-ranging role of the production manager!
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0:00.0 | Hi and welcome to the Team Deakin's podcast. This podcast is a dialogue between Roger and |
0:10.0 | James Deakin's often joined in the conversation by a guest. It's very informal and we never |
0:16.5 | know where it will go. We're connecting through Zoom so bear that in mind when you hear |
0:21.6 | the audio. |
0:23.7 | If you'd like to submit a question or topic, please do so by emailing podpod at RogerDeakin's.com. |
0:33.9 | This episode is sponsored by Ari. More than just the manufacturer of the film industry's |
0:39.6 | top camera and lighting equipment, they are also the innovator behind cinematic lenses |
0:45.0 | such as the master prime and signature prime lenses. Ari, truly cinematic. This episode |
0:52.8 | is sponsored by Otto Nemitz Camera Rental, newly located in Culver City. Otto Nemitz is known |
0:59.5 | for its premiere service and support to productions for 41 years. Today we're pleased to be joined |
1:07.7 | by a production manager to lead us through the wide range of that role. Among his credits |
1:13.1 | are the films in glorious bastard, man of steel, prisoners, Batman vs. Superman and justice |
1:20.1 | league. We're really pleased to have Gregor Wilson with us today. Thank you, Gregor, for doing |
1:25.4 | this. So pleasure, honestly, with you. Great. So our first question is always, how did you get to |
1:31.2 | where you are now? Did you always know from age five that you wanted to be a production manager |
1:36.8 | or did you go down another path? Tell us your story. It's a fairly random sequence of events that |
1:43.1 | brought me where I am now in the traditional Hollywood way. So I finished college here in the UK, |
1:49.4 | I studied urban design, I was having no idea what to do job-wise, work-wise or whatever. |
1:56.4 | I couldn't wait to get away from the English, no offense Roger. And I really? Where were you, by the way? |
2:02.6 | I was that college in Gloucester and then living in London and then I came out on a trip to the |
2:08.9 | stage to kind of postgraduate tour and I got fairly drunk at a restaurant in Venice Beach and I said, |
2:18.8 | sat next to a guy, he was a producer, super great guy called Phil Rose and he was a producer at |
... |
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