Give job. All the thanks and break. That's right. That's right. You know that's a good job.

That's right. So I was technically church music this time.

Yeah, I call Reagan music, uh, gangster gospel because it's always talking about God, but it has this hard baseline and it's real rugged and street like.

My boy, why has it got to be gangster though?

Because it's definitely gangster.

Boom, boom, boom. You know what I'm saying'm saying this got that thing. I don't know gangster. It might have a little

might have a little edge to it. You know a little. You know I call the edgy gospel? I don't know the term gangster gets overused like

gangster has such a like a... But I'm not talking just because you're being

aggressive don't mean you being gangster, I guess is what I'm saying.

Or just because it has an aggressive tone doesn't make it gangster.

So, does that make sense what I'm saying?

Aggressive?

Yeah.

Yeah. say? Aggressive early music.

You know man.

Like when you hear like the warrior drums of a tribe, they don't make a gangster.

No, I mean I was just being cool with it, but yeah, warrior drums of the tribe.

Oh, so you were just like the alliteration of it, the genius, the gangstain gospel going together.

Yeah, it just had a little flow, but yeah, when you hear that tribal music you know it has this uh the

naya bingi drums it has this feel of of a warrior music.

Good morning party people.

You got it on Friday morning.

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