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The Emerald

Give the Drummer Some: Trance, Danger, and Rapture in the Oldest Instrument of All

The Emerald

Joshua Schrei

Religion & Spirituality, Trance, Mythology, Culture, Society & Culture, Shamanism, Arts, Justice, Entheogens, Spirituality, Cosmology, Art, History

4.8 β€’ 853 Ratings

πŸ—“οΈ 19 January 2021

⏱️ 63 minutes

🧾️ Download transcript

Summary

The link between music and trance is so deep that many ethnomusicologists will say that every single culture on the planet has some form of musically-driven trance tradition. Right at the heart of these traditions sits the drum. Far from being a 'primitive' instrument, the drum is advanced technology β€” more often than not, it is the essential instrument that opens up the doorway to states of rapture. This long-known power has led to the development of intricate cultures of trance drumming fro...

Transcript

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0:00.0

Hi everyone. I'm Josh, and this is The Emerald,

0:10.2

currents and trends through a mythic lens.

0:13.6

The podcast where we explore an ever-changing world and our lives in it

0:18.1

through the lens of myth, story, and imagination.

0:26.6

The Emerald. All that's happening on this green jewel in space.

0:31.6

The Emerald. There's a story from ancient Sumeria, and it goes a little something like this.

0:47.4

The goddess Inana had a sacred willow tree at the center of a temple, a tree whose wood was going to be used to fashion her very own throne,

0:57.1

the throne of the goddess. But she found when she went to cut it that a serpent had coiled itself

1:03.8

among the tree's roots, and an eagle had nested high in its branches. So she went to the hero, Gilgamesh, who drove out the serpent and the eagle.

1:14.3

As a reward, Inana fashioned a drum and a striker, a piqu and miku for Gilgamesh,

1:21.6

imbued with the power of the sacred tree. Such was the power of the drum, brimming with the vital force of the goddess herself,

1:31.2

that no one could resist it. Anyone who heard this drum would be subsumed into a state of rapture.

1:38.0

But Gilgamesh wasn't ready for a tool of such power. He went around causing mischief with the drum.

1:45.6

He lit a fire in men's hearts with the drum's booming rhythms, set them fighting against each other. He used its enchanting

1:51.0

sound to seduce women. He drove people wild with the sound of the drum. So finally, the gods

1:57.5

intervened and cast the drum and striker into the underworld so that it could be recovered by a seeker more worthy of its sublime power.

2:10.6

So, yeah, this is an old story, and it contains some profound truth about what is the simplest one could say of the instruments, and also the

2:19.8

most profound of tools, the drum. The drum is powerful, the story teaches us. It induces rapture. That

2:27.6

rapture ultimately can lead right back to source, right to the world tree, right to the throne

2:34.0

of the goddess from which it is made.

2:36.3

This vision of the wood of the drum being the same wood of the world tree

2:41.6

can be found from Siberia to Mongolia to Lapland to the Amazon.

...

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