From Beyoncé to Lil Hardin, 'My Black Country' Celebrates the Undersung Black History and Future of Country Music

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KQED

Politics, News, News Commentary

4.6 • 656 Ratings

🗓️ 5 April 2024

⏱️ 56 minutes

🔗️ Recording | iTunes | RSS

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Summary

Beyoncé’s new album, “Cowboy Carter,” pays tribute to country music’s greats while reflecting on her own connection to the genre. As she sings on the opening track, “Used to say I spoke ‘too country’ / And the rejection came, said I wasn’t country ‘nough.” That rejection reflects the gatekeeping that’s long plagued country music – gatekeeping that determines who gets to be American and whose ‘country’ it is, says Alice Randall, a songwriter, author and Vanderbilt professor. Randall was the first Black woman to write a No. 1 country hit, and her new book “My Black Country” weaves memoir with the history and impact of Black artists in the genre. We’ll learn that history and Randall’s place in it — and listen to country music from DeFord Bailey, Linda Martell and, of course, Beyoncé. Guests: Alice Randall, Country songwriter and professor of African American and Diaspora Studies and writer-in-residence, Vanderbilt University - author, “My Black Country: A Journey Through Country Music’s Black Past, Present, and Future.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:32.2	From KQED.
0:41.6	From KQED in San Francisco, I'm Mina Kim.
0:47.3	Coming up on forum, Alice Randall was the first black woman to write a chart-topping country hit in 1994.
0:54.4	But all of Randall's music has been recorded by white artists in a genre that has often silenced or even denied its black roots.
0:58.6	But now black women country artists are re-recording Randall's work for the new album,
1:03.7	My Black Country, and Randall's new book of the same name takes us, as her subtitle says,
1:08.3	on a journey through country music's black past, present, and future.
1:10.9	We'll look at the impact of DeFord Bailey, Linda Martel, and of course, Beyonce.
1:14.6	Join us.
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