Click on a timestamp to play from that location
0:00.0 | Thank you for downloading this episode of In Our Time for more details about In Our Time |
0:04.0 | and for our terms of use, please go to bbc.co.uk slash radio for. |
0:09.0 | I hope you enjoy the program. |
0:11.0 | Hello, the painter Frieda Carlo was born near Mexico City in 1907. |
0:16.0 | They're not widely known by the time she died in 1954. |
0:19.0 | Her reputation has grown dramatically in the last 30 years |
0:22.3 | and she's now seen as one of the most important artists of the 20th century. |
0:26.0 | Her self-portrait, or at the core of her work, |
0:28.2 | she's often dressed in the traditional costume of Native American women, |
0:31.5 | Native Mexican women, sorry. |
0:33.2 | And she emphasizes her worn, continuous dark eyebrow |
0:36.6 | and the faint shadow of a stash. |
0:39.2 | Many show her body damaged by polio and broken by the bus crash, |
0:43.0 | which almost killed her and left her with chronic pain for life. |
0:46.3 | She became part of the cultural revolution that followed the violent Mexican revolution, |
0:51.8 | twice the wife of the then famous Diego Rivera, a prominent communist. |
0:56.8 | She sheltered Trotsky in her home and started at ex-art him from the Soviet Union, |
1:00.7 | leading to one of many affairs. |
1:02.8 | With me to discuss Frieda Carlo art, |
1:04.7 | patient shell, chair in his Spanish studies at the University of Aberdeen, |
1:08.8 | Valerie Fraser, an emeritus professor of Latin American art at the University of Essex, |
1:13.5 | and Alan Knight, emeritus professor of the history of Latin America at the University of Oxford. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from BBC, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of BBC and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.