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Arts & Ideas

Free Thinking - Museum of the Year 2015: 02 July 15

Arts & Ideas

BBC

Society & Culture

4.2599 Ratings

🗓️ 2 July 2015

⏱️ 45 minutes

🧾️ Download transcript

Summary

Anne McElvoy at Tate Modern with the Museum of the Year finalists.

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that is some level of genius. It also helps that it's a long time ago, right?

0:23.3

It's like the podcast version of telling your kids the ice cream van plays music when it's out of ice cream.

0:28.8

Listen to evil genius on BBC Sounds.

0:32.2

Hello and welcome to Tate Modern in London, where we're celebrating the cream of the crop of Britain's

0:37.7

museums. I'm joined by representatives from the six institutions that have been shortlisted

0:42.8

from the 2015 Art Fund Prize for Museum of the Year, and we'll be discussing some of the

0:48.6

issues I suspect may keep museum directors awake at night, such as where's the money coming

0:53.9

from, and how do we

0:55.2

get people through the doors? First, I'd like to introduce our panel of finalists. They are

1:00.8

Maria Balshaw, director of the Whitworth in Manchester, Diane Lees, Director General of the Imperial

1:06.2

War Museum London, Hugh Mulholland, curator at the Mac in Belfast. Simon Murray, Senior Director

1:13.0

of Strategy and Curatorship at the National Trust, who's representing Dunham Massey in Cheshire.

1:18.7

Deborah Shaw, Head of Creative Programming and Interpretation at the Tower of London, and

1:23.8

Paul Smith, Director of Oxford University's Museum of Natural History.

1:28.6

Well, let's start, if we could, directors, by looking at the very important question

1:32.4

of how you engage with your audience and indeed how you decide who your audience is or could be.

1:40.3

Deborah Shaw, you had such a big success at the Tower of London with blood-swept lands and seas of red that installation of thousands of ceramic poppies this year.

1:49.4

It was free to view, but did it translate into a greater number of paying visitors?

1:55.8

Well, that wasn't the purpose of doing it, but yes, it absolutely did.

2:00.0

I'm very pleased to say, I was pleased to say

2:02.5

in front of our board, of course, that it did. Interestingly, you know, we have a sort of 70, 30

2:09.4

split with international visitors and domestic visitors and domestic day trippers were up by 74%

...

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