Welcome back to the home of the oxymoron. Evil genius. He asked the newspaper to print his obituary early so he'd enjoy it. That's like hiding at your own funeral. Yeah, a big, great gig. I'm Russell Kane. Join me to weigh in on whether the biggest players in history are more evil or genius. Becoming that rich, I'd say that is some level of genius. It also helps that it's a long time ago, right?

It's like the podcast version of telling your kids the ice cream van plays music when it's out of ice cream.

Listen to evil genius on BBC Sounds.

On tonight's program is London, rich, global, attention and talent grabbing,

also throttling the cultural life out of the rest of the country.

As Tate Modern Reddies itself to open its new £260 million extension,

we ask if the rise of the global city like London is at the expense of the rest of the country. London grows culturally

more powerful, the weak, the rest weaker. We have just the right cast and there'll be in action

soon. But first, a man who actually left a great metropolitan city to move to a provincial one

in the 1960s. It was in Baroda, India that the Bombay-born Bopin-Kaka learned to be an artist.

His one-person exhibition, You Cannot Please All, opens at Tate Modern this week

and takes us from his early paintings of urban middle-class life

through his urban dreamscapes to the later work,

which both revels in the pleasures of the body.

There are paintings of gay love and desire, and also in its pains,

paintings made out of his battle with cancer.

Pre-Renaissance Sienese art, Indian miniatures, pop art, shades of Henri Russo, the Naif,

all these are mixed together to make paintings

that are unmistakably a form of narrative and figurative art.

It's not surprising that one of the works is loaned

belongs to Salman Rushdie.

De Vika Singh, one of the contributors to the Tate's catalogue,

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