meta_pixel
Tapesearch Logo
Log in
The Daily Poem

Frank O'Hara's "Having a coke with you"

The Daily Poem

Goldberry Studios

Education For Kids, Arts, Kids & Family

4.6729 Ratings

🗓️ 13 June 2019

⏱️ 7 minutes

🧾️ Download transcript

Summary

Today's poem is Frank O'Hara's "Having a coke with you."


Remember: Subscribe, rate, review.



Hosted on Acast. See acast.com/privacy for more information.



This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome back to the Daily Poem here in the Closer Reeds Podcast Network. I'm David Kern.

0:08.4

First of all, I just want to say thanks to my friend Joshua Gibbs for filling in for me a couple days this week.

0:14.8

Today's poem is by Frank O'Hara. He lived from 1926 to 1966, and he was an American writer, poet, and art critic.

0:22.4

He was actually also a curator at the Museum of Modern Art.

0:26.6

The poem that I'm going to read today is one of his more famous poems.

0:29.0

It is called Having a Coke with You.

0:31.9

Taking into account the title, Having a Coke with You, it then begins.

0:36.7

Is even more fun than going to San Sebastian, Irune,

0:41.3

hendai, but birets, Bayonne,

0:43.8

or being sick to my stomach on the Traverissa de Gracia in Barcelona.

0:47.7

Partly because in your orange shirt you look like a better,

0:50.7

happier, St. Sebastian,

0:52.4

partly because of my love for you, partly because of my love for you, partly because of your

0:55.2

love for yogurt, partly because of the fluorescent orange tulips around the birches, partly because

1:01.7

of the secrecy our smiles take on before people in statuary. It's hard to believe when I'm

1:08.7

with you that there can be anything as still, as solemn, as

1:13.3

unpleasantly definitive as statuary, when right in front of it, in the warm New York four o'clock

1:20.4

light we are drifting back and forth between each other, like a tree breathing through its

1:26.8

spectacles. And the portrait show seems to

1:30.3

have no faces in it at all. Just paint. You suddenly wonder why in the world anyone ever did them.

1:37.9

I look at you and I would rather look at you than all the portraits in the world, except possibly

1:42.9

for the Polish writer occasionally. Anyway,

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Goldberry Studios, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Goldberry Studios and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.